A Quote by Rupali Ganguly

In fact, many of us from my generation of actors are in the profession because we were all deeply inspired by Sridevi. — © Rupali Ganguly
In fact, many of us from my generation of actors are in the profession because we were all deeply inspired by Sridevi.
When I started in the profession, there were very visible actors who were Scottish, Welsh, or regional. Lots of working-class-hero leading actors; it was not fashionable to sound posh. Now, I'm middle-aged; it's fashionable to sound posh if you are the generation behind me.
It is our hope that when people read "March" - Book One, Book Two, and Book Three - that they will understand that another generation of people, especially young people, were deeply inspired by the work of Rosa Parks, Martin Luther King Jr. and many others.
So I'm always inspired by my fellow actors. And that's kind of a constant for me. I have huge respect for our profession and our craft. And I seek in my work to create connections, first for me with the character and then the character with the other actors, and then ultimately, all of us together connecting with the audience in a way that sometimes is subliminal, even.
My journey to Sridevi started when I was preparing for my debut film 'Shiva.' I used to walk from Nagarjuna's office in Chennai to a neighbouring street where Sridevi used to live, and I used to just stand and watch Sridevi's house from outside her gate.
I would almost consider myself a canonical child of Generation X... because I think there is an ethic and aesthetic that goes along with that generation, it may have something to do with the fact that "Never Mind the Bollocks" was released when we were 16-years-old and that was really the album that crystalized a generation.
You can't create chemistry. In fact, the chemistry between two actors is for people to see, sense, and judge. The only thing we can do as actors is to come on board individually because we feel the same kind of passion for a script and for a director to cast us because he feels that, as actors, we'll do justice to that part.
My generation of Americans, the scions of daring dreamers, the children of the fearlessly faithful and the offspring of many of history's most audacious actors - we, together, drink deeply from wells of freedom, liberty and opportunity that we did not dig.
I inspired a new generation in the same way the previous generation inspired me. I believe that our democracy itself is very inspiring.
Acting is a difficult profession, it really is. It's different than singing. With singing you may have one song and four people to record it - but they'll all do it differently and they'll all have that option. Whereas with actors there might be one part, and five hundred actors all want the same role - it's so much more competitive. It's an incredibly painful profession because you get so much rejection.
We were that generation called silent, but we were silent neither, as some thought, because we shared the period's official optimism nor, as others thought, because we feared its official repression. We were silent because the exhilaration of social action seemed to many of us just one more way of escaping the personal, of masking for a while that dread of the meaningless which was man's fate.
Nirav Modi was the talk of the town, then the issue of Sridevi came in. This was brought to change the issue. When a person like Sridevi dies, you wrap her in tri-colour and you say you did that because she was a Padma Shri. It was all fault of the Maharashtra government.
I think all those actors from that generation, like Bogart - they were wonderful actors. They didn't act. They just came on and they did it, and the characters were wonderful.
Jesus suffered deeply because He loves us deeply! He wants us to repent and be converted so that He can fully heal us.
Most actors and actresses are performative as people. It goes part and parcel with the profession and New York actors who are out of work, or actors anywhere out of work, are manic because you never know when the next job is going to come.
Television and movies were our biggest teachers. When we came to the United States, the Vietnam War was just ratcheting up. And so the Asian faces that I saw on the news, they were the face of the enemy. Asian men, particularly, were either small, ineffective, or they were evil. And those messages were deeply, deeply embedded in me for many years.
For us, as actors, and even for the director, it gave us a sense of authenticity to what we were doing because we were talking about Hollywood and we were in Hollywood.
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