A Quote by Rupali Ganguly
Every artiste vies for that one role, which takes her a level up, where people start recognising your work and acknowledging the fact that you are a good actor.
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I'm not able to work anymore as an actor and still at the level I would want to... you start to lose your memory. You start to lose your confidence. You start to lose your invention. So, that's pretty much a closed book for me.
I'm not necessarily a good actor, but once people start saying you are, you are. And I know that that's a truism, and there's obviously nothing important in that particular statement, but it's really about the fact that people create you as a good actor.
It is very important for an artiste to be excited about her work in every phase of her career. If a tiredness seeps into one's attitude, it will show in the quality of one's work.
Playing a plainer role means everything is dependent on the credentials of the actor, not the fact that they are as pretty as Julia Roberts. People start to look at their talent rather than their appearance. And playing the ugly part often means less time in the make-up chair, which is a great benefit on set.
I think it's important for an actor to see the work they've done because every time you revisit a work you come up with a new way of improving it. It's a good way to brush up your craft and your skills, so I think it's a good thing to do, keep seeing your films.
Well, I'm not able to work anymore as an actor and still at the level I would want to ... you start to lose your memory, you start to lose your confidence, you start to lose your invention. So, that's pretty much a closed book for me. And I'm grateful for the other things that have come into my life: grandkids, and restaurants and charity ... I've been doing it for 50 years. That's enough.
I'm playing right now a role, and the role is called the 'Heavyweight Champion of the World.' And it takes all of the time. And I love this role, and it takes a lot of attention for me for the sport, and I just don't want to lose the title, so that's why I have to stay focused and not become an actor.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
Ultimately the first, best step in getting your work noticed is to write good work. If people don't engage in your writing, no amount of serialization or free downloads is going to matter. You have to write something worth reading, and often it takes time to get at that level.
Ultimately, the first, best step in getting your work noticed is to write good work. If people don't engage in your writing, no amount of serialization or free downloads is going to matter. You have to write something worth reading, and often it takes time to get at that level.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
My mum's amazing. She's the person I admire most, I think, in her sacrifice to me and my sister and her level of emotional sacrifice to people around her. She takes a high level of personal responsibility for the welfare of people around her.
I have no problem having any actor from anywhere play a role. I'm excited for any actor that gets a job, I truly am. Even if it's a role that I'm up for and I don't get it, I never begrudge any actor having it work out for them.
Be it a cameo, a character role or a lead role, I am happy that people are finally recognising my acting calibre and are casting me in their films.
In my journey, I got amazing characters to play which were as interesting as a lead role. In 'Commando,' my role was so good. I feel no actor have rejected that kind of a role.
If a good actor wants a role, they'll do whatever it takes to get the part. Directors are the same. We do 'meetings', not auditions: that tells you a whole lot more about an actor, too.
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