A Quote by RuPaul

Don't be afraid to use all the colors in the crayon box. — © RuPaul
Don't be afraid to use all the colors in the crayon box.
The whole point is to live life and be - to use all the colors in the crayon box.
The bass is just the crayon that I picked out of the box. I'd probably be writing similar stuff if I played guitar or trumpet. The pictures I want to draw I do with this crayon I chose, which is the bass.
I received rejection letters for ten years (one on a napkin, written in crayon.) I had all my rejection notices stored in a box. When the box was finally full I took it to the curb and set it on fire. The next day I went out and got a temp job.
Sex appeal is in the workplace every day of the week. I'm not saying that's the only calling card, but it's a whole crayon box.
And I'll see your true colors shining through I see your true colors and that's why I love you so don't be afraid to let them show your true colors, true colors are beautiful like a RAINBOW.
To me, writing and composing are much more like painting, about colors and brushes; I don't use a computer when I write, and I don't use a piano. I'm at a desk writing, and it's very broad strokes and notes as colors on a palette.
I use colors that have already been experienced through the light of day and through the state of mind of the total man. In other words, my colors are not colors that are laboratory tools which are isolated from all accidentals or impurities so that they have a specified identity or purity.
About five years old, I was drawing self-portraits with the brown crayon instead of the peach crayon and, you know, the black curly hair. That's how I was portraying myself.
A good organization is like a box of crayons. You need different colors of the spectrum, but all the crayons should fit in the box.
People like to put you into a box. I'm afraid I don't sit in a box.
They are born, put in a box; they go home to live in a box; they study by ticking boxes; they go to what is called "work" in a box, where they sit in their cubicle box; they drive to the grocery store in a box to buy food in a box; they talk about thinking "outside the box"; and when they die they are put in a box.
In the 1980s, I was quite well known for my knitwear, and a lot of inspiration came from carpets, where I found ways to use structures and colors and depth of colors.
In black and white there are more colors than color photography, because you are not blocked by any colors so you can use your experiences, your knowledge, and your fantasy, to put colors into black and white.
Art is a creation of a higher order than a copy of nature which is governed by chance.... By the elimination of all muddy colors, by the exclusive use of optical mixture of pure colors, by a methodical divisionism and a strict observation of the scientific theory of colors, the neo-impressionists insures a maximum of luminosity, of color intensity, and of harmony- a result that has never yet been obtained.
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
I like to use really basic or classic colors, things that people have seen over and over and over again. Primary colors, at least in photography, have been around a lot longer than neon colors and really vibrant purples, hot pinks. Red, blue, yellow, orange - because of Kodachrome and the way that things were produced I think that those colors stood out more than any others.
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