My dad worked very hard for the money he made, and my mom worked very hard to keep this household up and running and all the kids fed and everything. And she did it in a brilliant fashion. They both did. In fact, the work ethic, to me, is so important in this life.
I did loads of student films and fringe theatre. I worked for free a lot.
I've worked in the studio with a lot of young girls, and they'll go, 'Oh, the label is telling me to take off my clothes, and I don't feel comfortable.' Well if you don't feel comfortable, don't do it.
I grew up in a highly Hispanic neighborhood. It was very rare to find any race other than Mexicans. I feel very comfortable around Spanish speakers and people from Mexico and people who don't always feel comfortable living in the U.S. because they are in fear of being deported.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
Of course it's always easy when you work with people that worked together, or you work with people that you worked with before, because you develop over years some sort of shorthand of communion that is always very valuable.
Jack made it very comfortable for me on the set. We'd met socially before but never worked together. You know, he's very professional, very disciplined and he's always prepared and knows his lines.
I feel very comfortable with the way I look, and I feel very comfortable with the kind of confusion that it creates in people's minds.
You're damn right I'm comfortable, I've worked very hard to be comfortable. But something I've always tried to impress upon people is that these folks in the houses of parliament affect what's in your wage packet, the welfare of your kids, your health. Why wouldn't we be interested in it?
I've always worked on the fringe of the British press establishment, carving out this niche for myself.
The full thing is God-given. I don't know how I got my swing or what I did. I know I worked every single day. I know I did as much as I could with my dad. But I never really looked at anything mechanical. There was nothing really like, 'Oh, put your hands here.' It was, 'Where are you comfortable? You're comfortable here; hit from there.'
The radical is simply being given more room in the mainstream. And I think young people - I'm talking about the very young millennials - they are bored by so much so fast and have such fast big brains, that they won't digest lazy uninteresting work in the way my generation might have. This is a great opportunity for those on the fringe to be less on the fringe perhaps.
I worked hard all my life as far as this music business. I dreamed of the day when I could go to New York and feel comfortable and they could come out here and be comfortable.
I'm a lot more comfortable in the ring. I'm comfortable catching punches, and defensively, I feel like I've improved a lot. I am banking on my athleticism. I've worked hard on my footwork.
A lot of my close friends are nothing to do with show business. But the people I've had relationships with, invariably, I've worked with. I think that's probably because I grew up in a family where we all worked together, so it's something I feel comfortable with.
My interest in words and literature is always changing. And every day of work is different, and it doesn't feel laborious in the way that, say, washing dishes did. I'm quite happy to be doing what I'm doing, and I feel very lucky.