A Quote by RuPaul

I love the creativity and the social and political aspects of drag. — © RuPaul
I love the creativity and the social and political aspects of drag.
Political and social history are in my view two aspects of the same process. Social life loses half its interest and political movements lose most of their meaning if they are considered separately.
I love that drag is political. For me, one of the reasons I started doing drag was reading about how in the past, drag performers were able to organize the queer community and move us forward.
I love history because when you strip away the social and political aspects, it's really just a bunch of fun stories.
Drag has always been very political and challenging of societal norms and other aspects of life.
Islam as a religion focuses primarily on the immutable aspects of life and existence, whereas a political system concerns only social aspects of our worldly life.
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
People who live with OCD drag a mental sea anchor around. Obsession is a brake, a source of drag, not a badge of creativity, a mark of genius or an inconvenient side effect of some greater function.
I started out in this business in rock and roll bands and stumbled into drag. Drag just happened to be my vehicle for my creativity. So, you know, it's afforded me the opportunity to create new shows, to make music.
The truth is I do take drag really seriously, and I think that there's kind of a place for that - to see it as this political and historical art form, and to want to continue pushing it in new directions. And also honor the old directions as well. So I'm sort of like a drag intellectual/drag queen.
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
I call myself "The Love King" in all aspects. Poetically speaking, in the bedroom, I love, and in social conflict.
Personally, the songs that I've written, when they arrive to the Café Tacvba group , they become something more. Some begin to take spiritual aspects, political aspects, aspects that I had not initially put into the song. I think that's something magical that happens in our creations.
I don't know if I even consider myself a very political person. I have always had strong beliefs on important social issues. Politics have politicized social issues, but I don't know if social issues are in fact political. If anything, they are more human issues than they are political issues.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
As far as male and female are concerned, difference is a biological fact, whereas equality is a political, ethical and social concept. No rule of nature or of social organization says that the sexes have to be the same or do the same things in order to be social, political and economic equals.
I don't expect a lot of people who love drag to also be like, 'I love 'Drag Race,' and then I got to hear my Chris Stapleton album.' Not necessarily an obvious crossover.
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