A Quote by Rupert Everett

Listen, in England people are already writing their memoirs at the age of 23. — © Rupert Everett
Listen, in England people are already writing their memoirs at the age of 23.
Writing was my first occupation, begun at age 23.
The most obvious difference between writing novels and memoirs is that my memoirs are true stories, and explore certain experiences I've lived, and thus operate within the boundaries of memory and fact.
In the industrial age, the CEO sat on the top of the hierarchy and didn't have to listen to anybody ... In the information age, you have to listen to the ideas of people regardless of where they are in the organization.
At 15, 16, you think you're going to be captain of England. But I realised it wasn't going to happen for me on a windy November night in Darlington, coming to my peak at the age of 23 but still playing for Mansfield Town.
People really want to believe that there is no fiction. I think they find it much easier to imagine that novelists are writing memoirs, writing about their lives, because it's difficult to conceive that there's a great imaginary life in which you can participate.
Lately I've been thinking about the idea that all novels are, at least in some way, about the process of writing a novel - that the construction of the book and the lineage of people constructing novels are always part of the story the author is telling. I think the equivalent for memoir should be that all memoirs are, in some way, about the process of memory. Memoirs are made out of a confusing, flawed act of creation.
As to why people like Joseph Lelyveld are writing memoirs, I think they're just catching on the coattails of the trend.
People, my age, people older, people younger, it's like they look up to me. They listen to my lyrics for wisdom. They listen to my lyrics for like game. They listen to my lyrics for real deal beneficial purposes.
Ultimately, whether we are writing posts, paragraphs, essays, arguments, memoirs, monographs or even just the Great American Tweet, writing is and should be a grand adventure.
England was always very special. It was so important because the reason Benny and I started writing was the Beatles. During the Sixties, England was everything. To be number one in England was more important than being number one in America because England set the tone.
Writing the past is never a neutral act. Writing always asks the past to justify itself, to give its reasons... provided we can live with the reasons. What we want is a narrative, not a log; a tale, not a trial. This is why most people write memoirs using the conventions not of history, but of fiction.
I have two sons, ages 23 and 25, and know that parents need to listen more and speak less. Young people today don't always know what's going on or how they fit in, and if someone walks up to them and says, 'Hey, kid: If you listen to me I'll give you power and a sense of purpose,' it can hold tremendous appeal.
It is true that I entered parliament at the age of 23, and have now been representing the people of my constituency for over twenty years.
But who has time to write memoirs? I’m still living my memoirs.
While clothes with pictures and/or writing on them are not entirely an invention of the modern age, they are an unpleasant indication of the general state of things. ... I mean, be realistic. If people don't want to listen to you, what makes you think they want to hear from your sweater?
I listen to a lot of different stuff, from Mozart to Johnny Dowd to Monster Magnet. I don't listen to music while I'm writing a draft, but I do listen to it when I'm revising.
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