A Quote by Rupert Friend
I think that the process of trying to become somebody else, and obviously the director/actor relationship in trying to do that, is such a weird, undefinable thing.
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It is one of the few elements in the process that a director really, really can't control: an actor's performance. If you have a director that understands that, it's comforting to an actor. You're starting the relationship more as a collaborator, rather than as an employee or some kind of a soldier trying to execute something you don't organically feel.
An actor puts himself in the hands of a director. And the director's first responsibility, obviously, is to tell the story, but the smallest thing that's not true reads on the screen. So if a director sees that an actor is not believable, he needs to help him become believable.
I'm partly somebody else trying to fit in and say the right things and do the right thing and be in the right place and wear what everybody else is wearing. Sometimes I think we're all trying to be shadows of each other, trying to buy the same records and everything even if we don't like them. Kids are like robots, off an assembly line, and I don't want to be a robot!
I thought I'd become a funeral director when I wasn't going to be an actor. I thought I would be good at helping some people with the grieving process and with trying to get them to talk about and understand who this person was.
I certainly would never overstep my bounds and make suggestions to a director. As an actor I'm trying to fit to the best of my abilities within the director's vision, and trying to find some happy rapport where we can both bring something to it that's fresh. Usually I've been lucky in working with directors who have trusted my instincts.
As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else. That means you have to have a high degree of empathy.
If I wasted my time trying to be like everybody else when I was 10 and 11, I wouldn't be me today. So if you are gonna be the future rockstars, the future somebody, whatever you wanna be then you're wasting your time trying to be somebody else, because you'll never get to you.
You're coaching Kentucky - and you have a chance to change lives. That's not what this is up there in the NBA. You have assets. You're trying to piece a team together. You're trying to win more games than the other guy. You're trying to advance in the playoffs, and if you don't, they'll find somebody else that can.
I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. The last thing on my mind is if the director made good movies previously. It's not my job to know if that director's last movie was any good - it's my job to know if I can play the role.
Stepping out of the director's chair completely and into a scene as an actor was weird. It was more excitement about directing than anything, but I was on a high from being a director and enjoying that process so much that going back to being an actor was almost secondary because I really was loving directing.
Everybody's out there trying to be somebody else. Even the good guy's trying to be the bad guy, you know? Just be yourself, man. I think that works.
When you're acting, it's all about you and the person in front of you, and I think in life we forget to apply the same technique, and we get caught up in the panic of what we're trying to do - how overwhelmingly daunting the task of trying to become an actor is.
I'm a director's actor, and I surrender myself to the vision and the process. I think nothing else matters then.
I've always thought Ed Burns was a profoundly underrated actor. He's a great director, obviously. A great director/writer. But I think he's a stunning actor, too.
I spent so many years trying to become an actor, trying to be a person that I wasn't.
At WSX I think I was very much trying to figure it out on my own and we were creating our own style and our own thing. I can only speak for myself, I was not trying to be anything. I was not trying to be like anyone else.
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