A Quote by Rupert Friend
I don't think you can decide how famous or not you become.
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Starting off in music, the purpose of it was not to become like well known on the street and be famous. You know, I didn't even think about that part of being famous. Famous for making records, yes, but famous face in a woman's magazine, I never thought of that. I didn't want that.
I think that once you open the door and allow people in on a certain aspect, it's very hard to then control how far that ripple effect is. So I think that the person who is known or famous has the ability to decide what they do or don't want to share.
I think everybody has different priorities in their life. People live their lives differently. People become famous through all sorts of different reasons... some of it through art and some of it through just wanting to be famous. And I think how that all starts tends to reflect how you live your life daily.
I don't want to become a star. I never wished to become an actor, even when I am here. When you decide to become an actor, you've to choose why you're doing it. Are you doing it to become an actor or because you want to be famous? I am doing it because I love being in front of the camera.
The second death. To think that you died and no one would remember you. I wondered if this was why we tried so hard to make our mark in America. To be known. Think of how important celebrity has become. We sing to get famous; expose our worst secrets to get famous; lose weight, eat bugs, even commit murder to get famous. Our young people post their deepest thoughts on public web sites. They run cameras from their bedrooms. It’s as if we are screaming Notice Me! Remember Me! Yet the notoriety barely lasts. Names quickly blur and in time are forgotten.
My mother used to hope that I would rise up from my humble roots. Become someone sucessful, or even famous. I'm famous all right, but I don't think it's what she had in mind.
A famous person to themselves, they don't get up in the morning and think, I'm famous. I'm not famous to me. Famous is a perception.
To decide to become a philosopher seemed as foolish to me as to decide to become a poet.
When you become famous, you start getting invites to parties where there are famous athletes and famous rock stars, politicians, people who have tremendous power and affluence. It's not in my DNA, but certainly I have been exposed to it.
I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
I didn't become a footballer to be famous, I became a footballer to be successful. I didn't want to be famous. Now people want to be famous. Why? Why would you want people following you about all day? I couldn't think of anything worse.
If somebody tells me I'm famous I say, 'I'm not.' I can't see myself as famous and I don't think I'll ever call myself famous. I definitely don't feel famous.
I really couldn't say how famous I really am, that's for the history books to decide. But I'll probably be pretty up there.
It isn't citizens, or Congress, who decide how our information network regulates itself. We don't get to decide how information companies collect data, and we don't get to decide how transparent they should be. The tech companies do that all by themselves.
I know I have this level of celebrity, of fame, international, national, whatever you want to call it, but it's a pretty surreal thing to think sometimes that you're in the middle of another famous person's life and you think to yourself, 'How the hell did I get famous? What is this some weird club that we're in?'
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
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