A Quote by Rupert Friend

I like Scottish people because they feel very true. They're always level and straight. They get a reputation for being hardened because of it, but I find them to be scrupulously honest people.
I feel like thanking Paul Dacre every time, because the reason they ask me is because they think I've come through the other end with a pretty good reputation. Loads of people get a bad press but have a good reputation. [David] Beckham - think what he went through. [Bill] Clinton, likewise. You just have to be true to yourself.
Those people that have hardened to rejection or hardened to life in general, it's pretty hard to feel them. You know, to look at their eyes on screen and feel them. I guess that's specifically talking about actors, but I think that's probably [true] in general. You want to keep your skin thin.
I'm not particularly ethnically Scottish; I have one grandfather who is Scottish, although he's called Macdonald, and you don't get a lot more Scottish than that. The Scottish part of my family are from Skye, and I've always been very aware of that - always been very attracted to Scottish subject matter, I guess.
Creative people are very insecure people because they don't know whether people like them or are in awe of them. That insecurity always comes out. It makes them a better actor, I feel.
I grew up in a highly Hispanic neighborhood. It was very rare to find any race other than Mexicans. I feel very comfortable around Spanish speakers and people from Mexico and people who don't always feel comfortable living in the U.S. because they are in fear of being deported.
The most vulnerable people have tough exteriors because they are very scared inside, and it's very hard for people like that - people like me - to open up. But playing it safe means you stop being open to learning. I always try to find the challenges.
I always feel sad, to be honest, to see people badly injured. That's important because if someone's life is being changed like that it's extraordinarily important for that person - and you can't forget whether it was ten years ago, twenty or today. So I feel the same each time - I feel sad but I also feel that I should do the best I can to make it the best I can for them. So that's how I cope - by working.
People come to L.A. because they're chasing that dream of a better life. That's why I came here, because I thought it would be a place where I would find other people like me; people who wanted to write, people who had a dream of being something else. And that proved to be true.
You can get numbed. People can get hardened. It's not their fault; they just get hardened. News media get hardened. Proprietors get even harder.
When you start getting into your politics it's like you have to be vulnerable and you have to be sort of sensitive. Because if it's always like straight aggression all the time, there becomes no empathy for the stance that you're taking. You're not telling people to think, you're telling them what to think. And also you have to be honest with yourself on that, too.
I always find it amazing that people get mad because they can't figure out my gender. Even though my only job here is to create art, I think being a genderless figure... it shakes people. And when that happens, it makes me feel like I'm doing my job.
The Dreyfus Affair is an exceptional case. It's true that here and there you can find some dregs of anti-Semitism, but the situation is the same in every country. After all, you're not exactly a nation like all the other nations. You are unique, if only because you are such an ancient people, and because of the way you are spread all over the world and your obvious success in many fields. But, in all honesty, anti-Semitism in France has always remained on a minimal level, at the verbal level only. It never went as far as pogroms.
Being a mom is hard, but I don't want people to feel like they always have to go straight to the TV dinner or go to the fast food because you have a busy, hectic life.
It felt very fresh to me, and it feels very contemporary - this idea that conflict's not being about good and evil and not necessarily being black and white. If you dig deep enough, you'll often find that people do things because they feel that they have to as opposed to because they are evil.
The internal sexism within womanhood is very ­predominant in Hollywood, because we all want to be ­successful. There's a plug to it: You all have to be skinny! You all have to be pretty! You all have to be likable, because that's the ­formula that works. On an ­executive level. On a power level. And it's not always the same working with black people, because of the internalized racism. The colorism.
Mostly you don't want to make people feel bad because they carry that with them for the rest of their lives. I've found that. I hurt people on Celebrity Fit Club by being too honest. People loved it, but I was serious. I just hate phony baloneys. I can't do it anymore. I told them no. My tongue is too sharp. It was brutal.
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