A Quote by Rupert Friend
It might look like some incredibly complicated map to get from English period films to American action anti-heroes, but it really is just about not having a plan.
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I learned to stop being English about things like love. If you make a film in England about love, it's hugely complicated. It's all about saying what the weather is like, and you're secretly telling someone you love them. You know what the English are like; they're very repressed people. You don't get that in India. India is incredibly un-cynical about love. It's a not a complicated thing. It's me, you, love. Let's go.
I enjoy making films. I have made all kinds of films, including action films, romantic films, period films like 'Kala Pani.'
Over the years, my marks on paper have landed me in all sorts of courts and controversies - I have been comprehensively labelled; anti-this and anti-that, anti-social, anti-football, anti-woman, anti-gay, anti-Semitic, anti-science, anti-republican, anti-American, anti-Australian - to recall just an armful of the antis.
If I have any attribute that serves me well, it's I don't have a long-range plan in life. I have no idea. I just don't look ahead, I really don't. You know when people get out of college and they're talking about their five-year plan. Five-year plan? I got a plan to get to Friday.
I really enjoy doing the action stuff, but you have to be careful about who you say yes to with the action stuff 'cause some people want to do it but don't know how, and then it just becomes incredibly frustrating.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap. You don't know if you're watching a cartoon or something that's real. And I didn't want to fall into that trap. I really thought there was a way to use a lot of these old techniques to do some new and really neat stuff.
I hope I can make some Hollywood-type action films like 'Batman' or 'Spiderman', action films like that. With some wire work, maybe wearing a mask. Like that.
If you look at the American Jobs Plan, there is a real focus on a multiyear public investment plan designed to get at those shovel-worthy projects - those projects that are not going to take forever but really do require some planning and technical capability.
I was incredibly nervous about doing a period drama. I thought that to play period, you had to be English-looking and blonde and very well spoken, and have gone to drama school.
I enjoy making all kinds of films. I love action films, war films, period films, adventure films.
Action films are great, but an action film that has characters that are compelling and a story that people can care about is something even better. We love to see action heroes that are vulnerable, that are sensitive, that are family people, that are accessible.
One of the things I really like about Ford's films is how there is always a focus on the way characters live, and not just the male heroes.
We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.
I find more interesting roles for women in period pieces. I do personally like watching period films; I think you can really get lost in the fantasy of them.
It's easy to say, 'I'm anti-capitalist,' or, 'I'm anti-Western decadence,' without having to be challenged about what that actually means, or how you might go about reshaping society to make it better.
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