A Quote by Rupert Friend
If I make a film about now, the minute it was done, it wouldn't be about now; it'd be about then.
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I've done about four deaths in films now, and I think it's quite good because then it's sort of a memorable moment in the film.
If you're going to make a film about rage in 2018, 2017... If you're going to make a film about revenge and anger, I feel like that has to be a film about women. I don't really want to watch a film about angry men. I've seen way too many of those.
The Christian life is not about pleasing God the finger-shaker and judge. It is not about believing now or being good now for the sake of heaven later. It is about entering a relationship in the present that begins to change everything now. Spirituality is about this process: the opening of the heart to the God who is already here.
If Darwin could see what we now see, what we now know about the ocean, about the atmosphere, about the nature of life, as we now understand it, about the importance of microbes - I think he would just beam with joy that many of the thoughts and the glimpses of the majesty of life on Earth that he had during his life, now magnified many times over.
There was a Yugoslav film about partisans that I've done the music for, and then I've promised to score a French film called 'Biribi' about detention camps at the turn of the century.
We live in a world where there are a hell of a lot of new inputs that need to be factored in to your business. It used to be just about your employees and your customers. Now there are all the issues about global warming, about sustainability, about ethics and now about gender and the distribution of wealth.
As the actor, you can't be worried about the scene that you're going to playing two days from now. You think about what's going on, right now and in the moment. That's what you worry about. Everything is right then and there. In the end, all of the pieces come together, thanks to the editing and James Gunn.
I'm writing a poem right now about a nose. I've always wanted to write a poem about a nose. But it's a ludicrous subject. That's why, when I was younger, I was afraid of something that didn't make a lot of sense. But now I'm not. I have nothing to worry about. It doesn't matter.
When I'm writing, it's about the page. It's not about the movie. It's not about cinema. It's about the literature of me putting my pen to paper and writing a good page and making it work completely as a document unto itself. That's my first artistic contribution. If I do my job right, by the end of the script, I should be having the thought, 'You know, if I were to just publish this now and not make it . . . I'm done.
When you care about perfection, you care about an expectation. But there is also caring for where I am right now, for what's happening right now. When I spend time with students, they tell me that they've read something in a book or heard something from a teacher that they don't think they're living up to. And I tell them, “Take care of yourself right now. Befriend what's happening, not just who you're supposed to be or what the world should be like. This is where you are now. So how do you care for yourself this minute?
You are now at a crossroads. This is your opportunity to make the most important decision you will ever make. Forget your past. Who are you now? Who have you decided you really are now? Don't think about who you have been. Who are you now? Who have you decided to become? Make this decision consciously. Make it carefully. Make it powerfully.
And also, that's the kind of wonderful thing about film culture, is the interaction between films and who works on what, where they were before, and now what they're doing now, and that inevitably informs how people view a film.
You just did a whole read-through. The lie that brought us into war was that Iraq was a threat to us. Well, now it is a threat. Now it is a terrorist hotbed. The fiction is now reality. And now we have to deal with it. It was an attempt at a corporate takeover. This was about oil. It wasn't about human rights. It's not about human rights.
Can we go to work now? Because we're about a minute away from breaking out the ice cream and talking about our feelings, and I don't think we can come back from that.
I'm writing a poem right now about a nose. I've always wanted to write a poem about a nose. But it's a ludicrous subject. That's why, when I was younger, I was afraid of [writing] something that didn't make a lot of sense. But now I'm not. I have nothing to worry about. It doesn't matter.
It was about the preciousness of that, and how they viewed those birds as art, as something valuable. I didn't care one way or another back then, but now, thinking about my grandparents - who are still alive but getting older - I see the birds as sort of time capsules. Now I go home during the holidays and they hold a lot of weight in terms of nostalgia and memory. Now they mean everything.
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