A Quote by Rupert Holmes
I was tired of my lady, we'd been together too long, like a worn-out recording of a favorite song.
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I know it's financially lucrative to go out on my own, but I don't like it. It's really hard work, just the performance aspect. I like people who look like they've been together for too long and sound like they've been together too long. I like rock n' roll bands.
I got tired, I told him. Not worn out, but worn through. Like one of those wives who wakes up one morning and says I can't bake any more bread.
So long as one's just dreaming about what to do, one can soar like an eagle and move mountains, it seems, but as soon as one starts doing it one gets worn out and tired.
I've been on a real Credence Clearwater kick. I've been collecting their albums on CD -- right now I really like 'I Put a Spell on You.' I don't know who actually wrote it; it might be a traditional, or like, an old blues song, I haven't looked in the liner notes, but it's the first song on their first album. I love all the hits; I mean @#$%&, I like every one of them. I think my favorite song by John Fogerty is 'Have You Ever Seen the Rain?' They're my favorite American band of all time, totally.
I hate re-recording. I like singing, but I don't like recording a song over and over, making it too perfect.
This was what happened after you'd been together with someone a long time. You loved that it was old and worn and comfy, but sometimes it was old and worn and comfy.
My first song was Hula Hoop Song, in 1955. It was a novelty song. I had to find someway to reach out and it was with a novelty song. Now, all of my recording obligations have been taken care of. I made 14 albums for Warner Brothers. Five for United Artist before that.
Sweetheart, do not love too long:
I loved long and long,
And grew to be out of fashion
Like an old song.
It was more about getting together with other musicians and playing live. I needed to suss out a full set [for the Last Summer tour], and I didn't want to play Fiery Furnaces material. So half of our set was new songs that we ended up recording for this album. And that made such a huge difference - going into the studio after playing a song for two years, knowing it inside-out and having sung it millions of times, and then recording it is a totally satisfying experience. You're suddenly in this controlled environment and you can make it sound exactly as you've been imagining it.
I talk to my mates about our kids, being too tired and being worn out.
There have been hours in my unhappy life, many of them, when the contemplation of death as the end of earthly sorrow - of the grave as a resting place for the tired and worn out body - has been pleasant to dwell upon.
It is very difficult to be learned; it seems as if people were worn out on the way to great thoughts, and can never enjoy them because they are too tired.
We used to do 'Venus' live for a long time but never got 'round to recording it because people would always say it's too old-fashioned a song.
I do remember, one time, a man came to me after the students began to work in Mississippi and he said the white people were getting tired and they were getting tense and anything might happen. Well, I asked him "how long he thinks we had been getting tired"? I have been tired for 46 years and my parents was tired before me and their parents were tired, and I have always wanted to do something that would help some of the things I would see going on among Negroes that I didn't like and I don't like now.
If you're recording the song on your four-track in your kitchen, when you finished writing the song, you're recording, and it's cool, and honor that. And maybe that's the version that should be released. And if you're recording the song again, it shouldn't be because there's a version you love that you're chasing. It should be because "You know what? I made a recording, but I don't love it emotionally." So, okay, then record again. And be in it and take advantage of the buzz and energy of "I'm getting to record right now!" It's such a beautiful and cool privilege.
I think when you sign a recording deal, you think, 'I'm going to put out a song and have a hit right away. I'll be a giant superstar. I can take over the world now.' But I put out a song, and it did OK. It wasn't like leaps and bounds.
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