A Quote by Rupi Kaur

Poetry and art are key influences in changing how we look at taboos. — © Rupi Kaur
Poetry and art are key influences in changing how we look at taboos.
I didn't invent satire. I didn't come up with it. And it will continue to be a very powerful tool to disrupt political taboos and social taboos and religious taboos, because those taboos are always used to control and to curb people's way of creativity and thinking, by making them feel guilty because they want to make a change.
The similarity is that concentration of capital influences virtually everything that goes on. It influences the way the media functions, it very powerfully influences how the government works and it of course influences corporate sector elements, like say how Google or Amazon present materials that reach the public.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
There is always something taboo, something repressed, unadmitted, or just glimpsed quickly out of the corner of one's eye because a direct look is too unsettling. Taboos lie within taboos, like the skin of an onion.
The most available example of how poetry works for a poet is yourself, and yet you'll probably be the last one to know exactly how you're serving the art and how the art is serving you.
To know how to suggest is the great art of teaching. To attain it we must be able to guess what will interest; we must learn to read the childish soul as we might a piece of music. Then, by simply changing the key, we keep up the attraction and vary the song.
To prevent wars, people must criticize, in their own country, the abuses that occur in their own country. The role taboos play in the preparation for war. The number of shameful secrets keeps growing incessantly, boundlessly. How meaningless all censorship taboos become, and how meaningless the consequences for overstepping them, when your life is in danger.
Poetry is not efficient. If you want to learn how to cook a lobster, it’s probably best not to look to poetry. But if you want to see the word lobster in all its reactant oddity, its pied beauty, as if for the first time, go to poetry. And if you want to know what it’s like to be that lobster in the pot, that’s in poetry too.
I have found that long durational art is really the key to changing consciousness. On such a deep level. Not just the performer, but the one looking at it.
There is no separate art of life. If you know how to allow poetry, if you know how to allow dance, if you know how to allow love - if you know how to ALLOW, then you know the art of life. In the allowing, in the let-go, in the surrender, is the art of life. How not to be and to let God be - that is the only art of life.
With a changing key, you unlock the house where the snow of what’s silenced drifts. Just like the blood that bursts from Your eye or mouth or ear, so your key changes. Changing your key changes the word That may drift with flakes. Just like the wind that rebuffs you, Clenched round your word is the snow.
Remember, taboos are just a map of what a society feels it's acceptable to be neurotic about. Taboos aren't rational.
Music is the only place that I can have no taboos. In real life I have a lot of taboos, and I can't talk about everything easily.
For an American, there's no automatic place where people love the art of poetry. There's not a social class that considers poetry its property the way in some countries there's a snob value to the art.
American poetry is always about defining oneself individually,claiming one's right to be different and often to break taboos.
The key to friendship with God, he said, is not changing what you do, but changing your attitude toward what you do.
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