A Quote by Rush Limbaugh
They're the bigots and they're the intolerant ones. There is a way for them, if they wanted to convey a message to the new administration, there was a way to do it that they probably could have been hailed and applauded, but doing it the way they did it totally backfired because it's what you say, it didn't show respect, it seemed taking advantage of an opportunity and so forth. And it wasn't effective.
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The way I work with my people is totally different. I never wanted to compare myself, in a healthy way to Jillian [Michaels] because she did what she did, and I respect that. Now I want to do what I do.
We can speak of politics, ethics, and in this way, speak about the world. But at the same time, it's always in a way that is totally nebulous and abstracted, this way of thinking about reality. And that's why I write the way I do - it's an almost immortal way to show dependence on the biological, the political, the moral parts of us. I say immortal because we now have to find new formats, new eloquences, and resolve within ourselves this "constructed" life, a life that is incomplete, imperfect.
The way so many musicians slavishly imitated Coltrane, that's the way it was with Charlie Parker - only even more so, if that can be imagined. Everyone that I knew changed totally. But they took the worst things of his playing-that harsh sound; it just didn't come off the way they did it. The way he did it was great, Their way wasn't good at all. I just would listen to 'em, say: 'That's a Bird imitator', and that would be it; I would never care to listen to them again.
I've always been like nah, I'm going to have it my way, that way, when I look out that window at the end of the day, I can say I did it my way, whether it's on a higher level, or a level where I can just maintain, I can still say I did it my way.
The great thing about the Internet is - our show is totally modular. Every piece can be popped in and out. They're relatively short pieces. They're not long. And we can say, "here' s one way to market it. Take these pieces out of the show and put them on the Internet." And we're doing dirtier cuts and put those on the Internet. It's a real great way to market the show. This is finally the year a show like this can happen.
I felt my design point of view was more welcomed in New York, that I could show my collections in the way I wanted to show them.
I made my way in this league playing special teams and then kind of worked my way into playing receiver. It was always just kind of doing whatever I could do and taking advantage of all the opportunities that I got.
We can see an anthill or a roach or a flower or anything, but we have this frame where our mind recognizes an anthill and then moves on, without taking the opportunity to have the sense of awe that we could have if we really looked at it. The montage is about taking pieces of reality and rearranging them - creating new frames to make you have to stop and look at things in a fresh way. It's basically taking pieces of everyday reality and rearranging them to show people the magic that is inherent in all of these things already.
And we have abundant natural energy resources in the country. We haven't been taking adequate advantage of them, and we can burn coal in a clean way; we could improve the grid.
Obviously the way that I talk and the way that I dress all has to do with the way that I was raised. As far as the drive, when I was 18 or 21 years old, everything I did was because I wanted to go play music simply because that's what I wanted to do.
I've been writing way before 'X Factor,' and I've been doing shows before 'X Factor.' And everything I did on this show was me being me. Same way I acted in the show is the same way I act now as an artist.
Some cynical people may see that the only reason I'm doing something more mainstream is part of a strategy to become more successful but I just see it as a bonus. It just happened... that's the way it is and there's an opportunity there and we're going to take advantage of it. I'd rather if I'm going to be working as hard as I've been working for the last two years - non-stop, solid, no personal life, no break - then I want what I've been working on to be as successful as possible. And I will take advantage of every opportunity that comes my way.
As comedians, we have the opportunity to convey a message that will have an effect. The best can make you laugh and cry, the way musicians and actors can.
I wanted to write about racism and xenophobia in 21st Century England and Ireland, but I wanted to do it in an exciting way so that I could reach more readers. Zombies seemed like a good way to do that.
So while an incredible amount of progress has been made, on this fifth anniversary, I wanted to come here and tell the people of this city directly: My administration is going to stand with you - and fight alongside you - until the job is done. Until New Orleans is all the way back, all the way.
We don't really have the ability to enforce the law with respect to illegal work in this country in a way that's truly effective...We haven't been able to require every employer to enter a system in which they check the work status of their employees and determine whether they're legal, and without that, we don't really have the ability to enforce the law with respect to illegal work in this country in a way that's truly effective. And that would be the single greatest additional weapon we could use if we're serious about tackling this problem.
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