A Quote by Rush Limbaugh

By the way, Howard Zinn's History of America is front and center at the gift shop of the New York Historical Society. The New York Historical Society is deluged with school kids on a daily basis.
I have friends in New York that won't leave New York, and they're really talented people, but they'd rather take an acting class in New York than do a play in Florida or Boston. That's just weird to me, but they get into that I've-got-to-be-in-the-center-of-the-universe mentality. I'm not that way.
A staunch abolitionist, Hamilton was one of the founding members of the New York Manumission Society. He was a trustee and namesake of Hamilton-Oneida Academy, an upstate New York school dedicated to educating Native-American boys.
In New York, you're forced to deal with life; it's there in front of you on a daily basis.
I grew up in New York City in the late '70s, at a time when U.S. - China relations were something that was on the front page of The New York Times on a regular basis.
The 'New York Daily News' called me the most reviled athlete ever in sports history in New York. I don't listen to them.
John Silber said the single longest reference he could find to Abraham Lincoln [in Howard Zinn's History of America ] was two paragraphs. That was Howard Zinn. Would you like to hear how Ronaldus Magnus is portrayed?
In America, kids would go to college and get out and buy a second-hand car and go across the country and discover America. I never did that; I went from New York to Paris, and New York was my America.
Kids from New York usually don't stay in New York anymore: they go to prep schools and all sorts of stuff nowadays. I'm just happy to be one of the guys in our league from New York, to represent.
I've been living in New York City almost seven years, and my mentality has changed a lot. Just from being in New York this long and going across America, I realize that in New York, nobody really cares. They are just like, "We're New Yorkers." I feel like that is really the way it should be.
When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn’t relate to European photography. It was too poetic and anecdotal for me… the kinetic quality of new york, the kids, dirt, madness—I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn’t see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
I really believe that you grow up a certain way in New York. There's a New York morality, a sense of loyalty. You know how to win and lose. There's a thousand kids outside, you know who to push and who not to push. There's a sixth sense you develop just because it's New York.
As a U.S. History major, there is something very cool about being in cities, and walking the streets of Philadelphia or Boston or New York and seeing historical sites.
In the sense of media saying this about themselves, I drive to my kids' school in upstate New York through rural Virginia, Maryland, Pennsylvania, New York; [Donald] Trump signs everywhere.
This site uses cookies to ensure you get the best experience. More info...
Got it!