A Quote by Rush Limbaugh
The Democrats, because they are the media, still establish the narrative for Washington every day. And whatever that narrative is, the Republicans - for some reason (I think it's force of habit and years and years of conditioning) - still become subservient to whatever that narrative is.
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I don't immerse myself in the media narrative every day. I establish my own media narrative, and that's what I live.
I think we have to continue to protect women on social media, who are coming out in a world that can still be very harsh towards them, so that they do not feel that they are alone. And of course, some of these attacks happen on social media, so we do need to provide a counter narrative - a supportive narrative - so that the voices of those that are punitive towards women does not become the dominant voice.
The narrative often from Democrats and the media is that Republicans don't think the Russians have meddled in our election. They did.
I don't think people want to look at problems. They want a continuous narrative, an optimistic narrative. A narrative that says there's a present and a future - and what was in the past no longer exists.
What I'm really proud of Beyonce and Solange, they understand the importance of creating the narrative. It's all about the narrative and how you position yourself with your narrative.
The continuous narrative of existence is a lie. There is no continuous narrative, there are lit-up moments, and the rest is dark. When you look closely, the twenty-four hour day is framed into a moment; the still-life of the jerky amphetamine world. That woman-a pieta. Those men, rough angels with an unknown message. The children holding hands, spanning time. And in every still-life, there is a story, the story that tells you everything you need to know.
I think one of the things that happens with, especially in the criminal justice system, is that the prosecutor is able to control the narrative from the very, very beginning. The moment an arrest is made, they put out a press release to the media and the media follows that narrative.
There's some ambient music that doesn't do anything. I wouldn't say that that's narrative. It is narrative in that it creates a sort of world where nothing happens, where really nothing happens, so you become a different person after hearing eight minutes of exactly the same thing. Yes, I hear music all the time in which one idea is strung together to another idea, and I feel that such music is non-narrative.
European children are educated in a narrative of human tolerance every day, and if you want to be sure to prevent a backlash, you should at least think of bringing Muslim children and teenagers into the fold of that narrative of tolerance.
We are all at the center of our own narrative, but it's a narrative that changes every time we retell it.
In every debate, whatever the format, whatever the questions, there is one and only one way to identify the winner: Who commands the room? Who drives the narrative? Who is in charge?
Because I love narrative but am more lyrically inclined, I've learned that if I freight titles with narrative information (the who, what, when, where, why of the poem), I can get to my main interest, which is the language, and where it wants to take me. If I can establish the poem's occasion in the title, then so much the better for my freedom to associate.
I'm obsessed with this idea of storytellers and people who have a narrative, and sometimes sustain a relationship because they're telling a narrative and someone is listening to that. Often the nature of the relationship is determined by how well they tell the story, or someone else's ability to suspend disbelief, or infuse into their narrative something which they may not even be aware of.
I think it's good practice, if you're a writer, or anyone who's shaping narrative, to be flexible and open with the direction of the narrative.
There's a narrative out there about Republicans being not just anti-illegal immigrant, but anti-immigrant. It was very important to me to break the narrative.
Ideally, writers and narrative designers should be included much earlier in the process, where they can be of most benefit. However, although the industry is slowly getting used to fitting narrative professionals into games development, we're still going through a bit of a 'square-peg in a round hole' phase.
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