A Quote by Rush Limbaugh

How is it possible that in just the last ten years all of these things which were taboo throughout our culture, throughout the culture, things that were taboo are now not only normal but celebrated, and people who were not really supportive of them are called kooks and the new weirdos?
You're actually putting someone down by saying that you don't understand their culture and hence it's not normal. Perhaps some things we find 'new' were simply things we were ignorant to earlier.
A laborer might last ten years or so before expiring. But individual workers in the death camp of sugar were survived by their culture, which was constantly re-Africanized by fresh arrivals. To that plantation culture, the music of our hemisphere owes no small debt.
Professional wrestling in Europe is more of a sub-culture. It is not as popular as it is here in the United States. The people that were drawn to it were also people that were into sub-culture, hardcore sub-culture. It is basically an alternative scene that is sub-culture.
I like talking about things that are taboo, because it makes them not taboo anymore.
Growing up, the major institutions were school and church. We were taught our culture was no good. We didn't have sundances. The last ones were in the 1940s and '50s. They're starting to come back now. Each reserve is starting to have a Big Lodge and a sundance ceremony. That's what's going to rebuild our people.
Above all things, Strikeforce is a stable, established business that has experience with live events, and it has the martial arts culture. I worked closely with EliteXC and they had no martial arts culture. They didn't really understand what they were doing, so the odds of them being successful were kind of a crapshoot.
In most places and times in human history, babies have had not just one person but lots of people around who were really paying attention to them around, dedicated to them, cared to them, were related to them. I think the big shift in our culture is the isolation in which many children are growing up.
I think drugs played a big role in the Taboo scene. People were taking copious amounts of ecstasy, which had filtered over from New York, and at a certain point you were more likely to spend most of the night in the toilets at the club.
There's a rich history at Westboro of parodying pop culture. The thing about pop culture is that it gives us a shared language. We were constantly trying to co-opt things that were popular to deliver our own message.
One of the things I recognized early on, doing whatever studies of black history I have, is that even though black folks were transported as slaves, into servitude, when they were carried out of Africa they left empty-handed, but they didn't leave empty-headed. They carried with them the culture they knew, the culture they had, and that culture reconstituted itself in all the places they went.
When I was trying to popularize the concept of the Internet - ten or 15 years ago - I came up with this concept of "the 5 Cs." Services needed to have content, context, community, commerce, and connectivity. After that, when I was trying to think of what the key management principles were to build into the culture, I started talking about the Ps. The P's were things like passion, perseverance, perspective and people. I think the people aspect is really the most important one.
All of us somehow felt that the next battleground was going to be culture. We all felt somehow that our culture had been stolen from us-by commercial forces, by advertising agencies, by TV broadcasters. It felt like we were no longer singing our songs and telling stories, and generating our culture from the bottom up, but now we were somehow being spoon-fed this commercial culture top down.
The Taboo crowd was certainly less precious. They were happy to end up in a pile of vomit and booze at the end of the night. It was antifashion, in a sense. They were just as obsessive as the New -Romantics but they acted like they didn't care.
All the things that are taboo are the things that are not normal, and all the things that are not normal are the things that are exclusively about physically being a woman.
If you're setting a game during the Cuban Missile Crisis, look through a library. find out what people were wearing, what other issues were in the news, how houses were furnished, what cars were being driven. Especially include things which now seem foreign.
Coming from a sort of very rigid European type of training to this culture which is just a little more open - a lot more open, and kind of curious, and asking different sorts of questions.Because the problem for me was that the European modernist movement in the '70s was all about right or wrong. Some things were right and you were dealing with the truth, as it were, and then some things were wrong and therefore not allowed.
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