A Quote by Rush Limbaugh
Early in my career, when I was still learning about politics, when I was wet behind the ears and naive... Up until the time I started radio show, nobody that knew me ever thought I was a hatemonger or a racist or homophobic or sexist or bigoted or any of that. Nobody. There wasn't anybody. Six months after being on the radio with this program, I'd become all of that. And I remember.
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Nobody who knows me has ever thought I was a racist, bigot, all of this stuff. All of a sudden I'm on the radio and I become one, if you listen to liberal critics. I'm a racist, sexist, bigot, homophobe. I'm a hater and all of this stuff. I'm none of those things and never have been. It's all because of my political views.
I mean people are sexist and racist and homophobic and violent. But I don't think of the rappers as being any more sexist or racist or homophobic than their parents. Certainly less, in all those cases, less homophobic or racist or sexist, and then less gangster than our government. It's stuff that people normally don't speak on, subjects they don't speak on, and ideas they kind of keep to themselves.
I was so naive in radio technique that I knew nothing about timing. I would write pages on Honus Wagner and then get only half through by the time the show ended. I eventually learned, but there was nobody there to school me.
You know, the radio never wanted you to speak about anything, so the music is kinda influenced by the hands of the radio which wants to homogenize it and dilute it and sanitize it. And for the most part, nobody's takin' the time to seek out the cats that are still tryin' to talk, so they have a difficult time being heard.
We're always learning. We're all in the process of decolonizing ourselves - removing all the parts of us that are sexist, homophobic, transphobic, racist. I mean, everybody in society needs to be in this process because everybody's been brought up in a misogynist, racist, homophobic, transphobic culture.
I'm one of the few artists who started from the ground up for real. Not taking no records to the radio station begging no DJ to play it. When DJs started playing my records they called me for them. I ain't pull up and ask nobody for nothing, I ain't pay nobody nothing.
There was a time when people would go search out underground records. Now, underground means free, and people don't really care for it. So now artists tend to go more pop and look for the radio. You know, the radio never wanted you to speak about anything, so the music is kinda influenced by the hands of the radio which wants to homogenize it and dilute it and sanitize it. And for the most part, nobody's takin' the time to seek out the cats that are still tryin' to talk, so they have a difficult time being heard, like Chuck D said.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
We as a society have created rules and laws and systems that not only are transphobic and homophobic but they’re also racist and they’re sexist. Because we’re all brought up in the middle of that, whether we want to admit it or not, we’re all on some level racist and sexist and homophobic and transphobic. It makes it difficult for other people when we turn a blind eye to it. We don’t agree with the laws that are going, but we don’t vote against them. We don’t like what our leaders are doing, but we don’t pick up the phone and call them. We don’t stand up and protest.
The power of a label and radio and a booking agency and all that - you never know until you experience it the first time, but being able to have a song on radio, but then go play a show for people that have heard the song on radio, and having it sung back to you, is - I don't know how to describe it.
I have the best people around me. None of them have ever been on the radio. They're all such great people, and I found that I was able to be a better person when I was doing the radio show. It kept me from being a radio person.
I've been thinking about it a great deal, and it seems to me that although any one sixpence is as good as any other sixpence, not twenty lambs would do instead of one sheep whose face you knew. Somehow, when once you've looked into anybody's eyes, right deep down into them, I mean, nobody will do for that one any more . Nobody, ever so beautiful or so good, will make up for that one going out of sight.
I think the thing that I wish somebody would ask me is just to ask about the business side of the radio show. I feel like I actually work very hard to make sure the business side of the radio show runs, and no one has any interest in how a public radio show is run. And rightly so.
Here's the tragedy of the modern record business: It's radio. If you're not on radio, nobody really is going to hear you or see you or care about you.
I started radio in 1950 on the Lone Ranger radio program, a dramatic show that emanated from Detroit when I was 18 years old and just beginning college. I did that for a couple of years.
The thought of people in this day and age sitting down to listen to a radio variety show on Saturday evening is rather implausible and was even more so in 1974 when we started “A Prairie Home Companion.” Thank goodness Minnesota Public Radio was too poor to afford good advice or the show never would've got on the air. We only did it because we knew it would be fun to do. It was a dumb idea. I wish I knew how to be that dumb again.
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