A Quote by Ruskin Bond

It is okay to experiment with language. Writers such as James Joyce, Virginia Woolf experimented with writing, but basically, one must have a familiarity with the language. And to have that, one must respect it.
I was into Virginia Woolf and James Joyce [at university] and I think we all thought that [Charles] Dickens wasn't that cool.
Virginia Woolf said that writers must be androgynous. I'll go a step further. You must be bisexual.
I'd studied English literature at university, but I was also far more enamored with Virginia Woolf, Katherine Mansfield, and James Joyce. That was my passion.
I think throughout the 20th century, for some reason, serious writers increasingly had contempt for the average reader. You can really see this in the letters of such people as Joyce and Virginia Woolf.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
Virginia Woolf's writing is no more than glamorous knitting. I believe she must have a pattern somewhere.
I loved languages, and loved learning languages. It was fantastic. But I was alone there. I remember that time as a real Virginia Woolf time. More than any language it was her language that influenced me.
Each time I undertake to reread Virginia Woolf, I am somewhat baffled by the signature breathlessness and relentlessly "poetic" tone, the shimmering impressionism, so very different from the vivid, precise, magisterial (and often very funny) prose of her contemporary James Joyce.
It's impossible to read a distinctive stylist like Faulkner, Joyce, Kafka, Mann, Woolf, James - and many more - without wanting to write, however entirely different one's writing will be.
I believe that we must use language. If it is used in a feminist perspective, with a feminist sensibility, language will find itself changed in a feminist manner. It will nonetheless be the language. You can't not use this universal instrument; you can't create an artificial language, in my opinion. But naturally, each writer must use it in his/her own way.
A ruler must learn to persuade and not to compel... he must lay the best coffee hearth to attract the finest men... a good ruler has to learn his world's language... it's different for every world... the language of the rocks and growing things... the language you don't hear just with your ears... the Mystery of Life... not a problem to solve, but a reality to experience... Understanding must move with the flow of the process.
Like my hero Virginia Woolf, I do lack confidence. I always find that the novel I'm finishing, even if it's turned out fairly well, is not the novel I had in my mind. I think a lot of writers must negotiate this, and if they don't admit it, they're not being honest.
There is something false in this search for a purely feminine writing style. Language, such as it is, is inherited from a masculine society, and it contains many male prejudices. We must rid language of all that. Still, a language is not something created artificially; the proletariat can't use a different language from the bourgeoisie, even if they use it differently, even if from time to time they invent something, technical words or even a kind of worker's slang, which can be very beautiful and very rich. Women can do that as well, enrich their language, clean it up.
We live in a world filled with language. Language imparts identity, meaning, and perspective to our human community. Writers are either polluters or part of the clean-up team. Just as the language of power and greed has the potential to destroy us, the language of reason and empathy has the power to save us. Writers can inspire a kinder, fairer, more beautiful world, or invite selfishness, stereotyping, and violence. Writers can unite people or divide them.
Also, they don't understand - writing is language. The use of language. The language to create image, the language to create drama. It requires a skill of learning how to use language.
The language must be careful and must appear effortless. It must not sweat. It must suggest and be provocative at the same time.
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