A Quote by Russell Baker
I gave up on new poetry myself 30 years ago when most of it began to read like coded messages passing between lonely aliens in a hostile world.
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If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
Everything. A letter may be coded, and a word may be coded. A theatrical performance may be coded, and a sonnet may be coded, and there are times when it seems the entire world is in code. Some believe that the world can be decoded by performing research in a library. Others believe that the world can be decoded by reading a newspaper. In my case, the only thing that made sense of the world was you, and without you the world will seem as garbled and tragic as a malfunctioning typewrit9.
Most of my last 30 years have been like that. Results and manifestations of things I'd dreamed of as a young kid and wanted as a child and as a young man. I realized it maybe 30 years ago. I thought, "This is unreal. This has happened as I expected it to, as I'd pictured it." My whole life has been like that and I'm fascinated by that power that we all have. That we create our lives as we go.
I detest computers. If you had a device like that 30 years ago that froze up constantly, misbehaved constantly, lost your information and screwed up when you needed it the most, it would have been laughable.
We believe in taking down the barriers, but we also believe in the most energetic reconciliation among peoples by getting them to know each other, talk each other's languages, understand each other's fears and beliefs, getting to know each other physically, philosophically and spiritually. It is much harder to kill your near neighbor than the thousands of unknown and hostile aliens at the other end of a nuclear missile. We have to create a world in which there are no unknown, hostile aliens at the other end of any missiles...
The Ramones are the type of group where it took the world, like, 30 years to catch up with them. Because we were kind of breaking new ground, coming up with new ideas and different concepts which kind of blazed a trail for a whole new music scene, really.
I mean, I spent 30 years in the world of physical perfection, right? I've known most of the world's most perfect physical specimens over the course of the last 30 years.
We have made a huge amount of progress over the last 50 years by enabling trade, by enabling kind of collaboration and learning. And actually, in fact, when you look at your average 30-year-old today, they're much better off than a 30-year-old 20 years ago, 30 years ago, because of progress in technology and health care and all the rest of this.
There's one of my new poems actually - is a good example of where my poetry has ended up. My earlier river poetry was more like a cross between Shelley and Dylan Thomas.
People say modernism killed poetry for them: it doesn't rhyme, it doesn't touch a popular musical oral tradition. Years ago, you memorized and read poetry; it was one of the things you were forced to learn. Now it has tiny role in school.
Following 9/11, intelligence indicated numerous links between al-Qa'eda and Algeria. It began to look as though the roots of jihad could be traced back to the war in Algeria that began 50 years ago.
I studied acting years ago; it was kind of a dream I had years ago, but I gave that up when I got married and had children.
There's a tremendous difference between alone and lonely. You could be lonely in a group of people. I like being alone. I like eating by myself. I go home at night and just watch a movie or hang out with my dog. I have to exert myself and really say, oh God, I've got to see my friends 'cause I'm too content being by myself.
There's a tremendous difference between alone and lonely. You could be lonely in a group of people. I like being alone. I like eating by myself. I go home at night and just watch a movie or hang out with my dog. I have to exert myself and really say, oh God, I've got to see my friends cos I'm too content being by myself.
I always did drawings. Then, few years ago, I started working with large-scale paper. It's an extension of performance, because the pieces are the size of my full body. I use pencils, acrylic, watercolors, and I also incorporate textual messages. I did most of them in a monastery in Spain at the top of a mountain. I lived there a bit like a monk. I meditate quite often. At night, which is when I like to work, I like to think I have conversations with Francisco Goya. He died so many years ago, of course, but somehow, his ghost is always with me.
Perhaps the author cited is one of those, who, shunning the practice of the world, have taught the world to shun return! whose poetry is too finely spun, whose philosophy is too and mystified for popular demand: perhaps we have experienced feeling which Mr. Wordsworth alludes to, in a poem worthy of simplicity and loneliness of the sentiment "Often have I sighed to measure By myself a lonely pleasure; Sighed to think I read a book Only read perhaps by me!
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