A Quote by Russell Banks

And out of a desire essentially to imitate what I was reading, I began to write, like a clever monkey. — © Russell Banks
And out of a desire essentially to imitate what I was reading, I began to write, like a clever monkey.
I began to imitate what I was reading, and I started to become a poet, even though what I was writing were not good poems.
The quality which makes man want to write and be read is essentially a desire for self-exposure and masochism. Like one of those guys who has a compulsion to take his thing out and show it on the street.
Charles Darwin wrote a famous book in 18 [gibberish]. And that book was an interesting book, cuz it was called "Monkey-Monkey-Monkey-Monkey-Monkey-Monkey-You".
I didn't really enjoy reading until I married my wife and we began reading the Bible out loud to each other every day. I enjoy reading now, and there is a whole world of books out there to explore.
My dream pet? I like a couple of them, man: monkey, I love dogs. See, tigers, I don't know - I can't be playing with something like that. A monkey, I can handle it. A dog, yeah; I would get a monkey.
[You write out of the] desire to seem clever, to be talked about, to be remembered after death, etc., etc., etc. It is humbug to pretend this is not a motive and a strong one.
I would write down the lyrics to 'C.R.E.A.M.' in Korean - not translating it, but phonetically writing out each word. I didn't know what they were saying, so I would just write everything down as I heard it. I would recite it and imitate it like that. That's how I started to write my own raps.
Broadcasting began, essentially, in the hands of very, very few players - actually two - and when television came along, there were two networks, then three. Rules began to get formulated that essentially protected that concentrated group.
You lose your anonymity just like a helium balloon with a string. Therefore people are going to have their own opinion and they're going to write in whatever clever manner they desire
You lose your anonymity just like a helium balloon with a string. Therefore people are going to have their own opinion and they're going to write in whatever clever manner they desire.
I became fascinated with the concept of speak no, see no, hear no evil. And - and the actual depiction of three wise monkeys. And I began collecting it over the years. And I kind of figured that I might be the - the fourth monkey, the feel no evil monkey.
My first reading of Tolstoy affected me as a revelation from heaven, as the trumpet of the judgment. What he made me feel was notthe desire to imitate, but the conviction that imitation was futile.
If you sleep, Desire grows in you Like a vine in the forest. Like a monkey in the forest You jump from tree to tree, Never finding the fruit - From life to life, Never finding peace. If you are filled with desire Your sorrows swell Like the grass after the rain. But if you subdue desire Your sorrows shall fall from you Like drops of water from a lotus flower.
If I write a paragraph and I don't get a certain lift from it, if I don't feel connected to it emotionally, then it's dead to me. When I'm reading other fiction writers, if I don't get any emotional investment from the writer, if it's just intellectual or clever - you know, most writing that passes as deep is just clever - I don't feel any connection.
As actors you have this trait to imitate very easily. I don't want to imitate anything or limit myself of finding this creature, this woman because I'm looking at magazines and I'm reading comics, and I'm asking people that are avid readers of The Guardians.
You can sort of start to write around 10. You also become a good reader around that time, and you want to imitate the thing that you love. I got praise for it, and then I found that it was a great way of translating my life, so I would write little stories and plays and things. At that point, it was kids' books that I was reading.
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