A Quote by Russell Brand

I like threesomes with two women, not because I'm a cynical sexual predator. Oh no! But because I'm a romantic. I'm looking for "The One." And I'll find her more quickly if I audition two at a time.
I've actually always wanted to write like a one-person show that was sort of a romantic comedy - a show that was kind of cynical about romance and marriage but ultimately embraced it. Because I feel like comedy is always cynical, inherently, because it's contrarian.
Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because - " "Because you do, in short," laughed Mademoiselle.
I may discuss love, and I don't mind if two men fall in love, fine. Two women, fine. But I flinch when I think of two Jewish women getting together and having a child because the idea of having two Jewish mothers makes my head explode. I have one; I couldn't handle two.
What I find very attractive, what I find sexual, are people who are unapologetic for who they are and comfortable with themselves. And I think with those two things sexual energy does come out because you're not hovering or censoring yourself, you're just being who you are. And being who you are is a very attractive quality in a person.
A romantic man often feels more uplifted with two women than with one: his love seems to hit the ideal mark somewhere between two different faces.
Sappho is a great poet because she is a lesbian, which gives her erotic access to the Muse. Sappho and the homosexual-tending Emily Dickinson stand alone above women poets, because poetry's mystical energies are ruled by a hierach requiring the sexual subordination of her petitioners. Women have achieved more as novelists than as poets because the social novel operates outside the ancient marriage of myth and eroticism.
That's what they want: two women. Fellas, I think that's a bit lofty. Because, come on, think about it - if you can't satisfy that one woman, why do you want to piss off another one? Why have two angry women in the bed with you at the same time? And think about it - you know how much you hate to talk after sex, imagine having two women just nagging you to death.
We were given: Two hands to hold. Two legs to walk. Two eyes to see. Two ears to listen. But why only one heart? Because the other was given to someone else. For us to find.
I'm doing all that I can to prod the industry and get them to pay more attention [to larger women and petite women]. Because I find it to be reprehensible and repugnant that two populations that are so pervasive in this nation should be so badly neglected.
Just because two guys are homosexual and happen to be the only two homosexuals on-screen doesn't mean they're going to be like, 'Oh yeah, let's get together!' It doesn't always happen like that.
Sometimes there are two very opposite directions, and we go with the stronger one at the end. It's an impulse thing, like, 'Oh, I love both so much, but it's got to be one or the other because the two don't work together.'
Why is it that when I did a weird dress in the past, people were like, 'Oh, it's niche,' and why when I do a pair of jeans that are super cool, it's much more accessible, but I enjoy doing it? I enjoy the mix of those two things. I realized that quite late, actually. I'm going to really try to express those two things at the same time, because this is me.
Interesting, isn't it, that even though more than two and a half decades have passed since the sexual revolution brought women a new measure of sexual freedom, there's still no word in the language that doesn't reek with pejorative connotation to describe a woman who has sex freely. Since language frames thought and sets its limits, this is not a trivial matter. For without a word that describes without condemning, it's hard to think about it neutrally as well. When we say the words 'promiscuous woman,' therefore, it's a statement about her character, not just her sexual behavior.
Usually, you can live very well for two, three months, then you're in trouble. Every coach, I think, is like this. For two months, you're happy because you have time, and after two months, you miss adrenaline.
I have to say, I have to tell you that my kids had a most marvelous time having two moms. When my daughter was at university, she got flu. And both mums rushed to be with her. And we were both looking after her and making soup and tidying up. And one of her friends came in and went, 'Two mums? Not fair.'
Because two bodies, naked and entwined, leap over time, they are invulnerable, nothing can touch them, they return to the source. There is no you, no I, no tomorrow, no yesterday, no names, the truth of two in a single body, a single soul, oh total being.
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