A Quote by Russell Crowe
When I was a young fellow, I used to learn the dialogue backwards. The point is that in a conversation between two people, you can't have already made the decisions about what you're gonna do. You gotta be very light on your feet. That leads you into areas where conversations can have a much bigger, grander meaning.
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I know that in writer's rooms across North America, there are still conversations about how much is too much when it comes to intimacy between, in my case, two men. That's an insane conversation to be having.
The hardest thing to do is be a point guard, learn how to be a point guard in the NBA as a young player because you gotta earn your respect first of all the old guys, all the old heads. You gotta command where to go, know the plays.
I don't mind have an uncomfortable conversation if those uncomfortable conversations can lead to a bigger dialogue and help us get to a better understanding of whatever it is we are discussing.
A conversation is a dialogue, not a monologue. That's why there are so few good conversations: due to scarcity, two intelligent talkers seldom meet.
The impressionistic method leads into a complete splitting and dissolution of all areas involved in the composition, and color is used to create an overall effect of light. The color is, through such a shading down from the highest light in the deepest shadows, sacrified an degraded to a (black-and-white) function. This leads to the destructions of the color as color.
Over the last eight years of being on YouTube, I've seen so much progress. I think the reason for that is that a lot of young people are having open dialogue and honest conversations about social justice and human rights.
I don't think you learn as much about yourself when you are moving forwards as when you have fallen backwards. That's when you really learn who you are. And reach for the things that have propelled you forward and made you a better person.
There comes a moment in every life when a choice must be made between right and wrong, between good and evil, between light and darkness. These decisions are made in an instant, but with repercussions that last a lifetime.
It just struck me as really odd that there were all of these conversations going on about what young women were up to. Were young women having too much sex? Were young women politically apathetic? Are young women socially engaged or not? And whenever these conversations were happening, they were mostly happening by older women and by older feminists. And maybe there would be a younger woman quoted every once in a while, but we weren't really a central part of that conversation. We weren't really being allowed to speak on our own behalf.
The dialogue and conversation about food is everywhere - television, chat rooms, social media outlets and among everyday conversations.
In thinking of light, if we can think about what it can do, and what it is, by thinking about itself, not about what we wanted it to do for other things, because again we've used light as people might be used, in the sense that we use it to light paintings. We use it to light so that we can read. We don't really pay much attention to the light itself. And so turning that and letting light and sound speak for itself is that you figure out these different relationships and rules.
If I have one message to give to the secular American people, it's that the world is not divided into countries. The world is not divided between East and West. You are American, I am Iranian, we don't know each other, but we talk together and we understand each other perfectly. The difference between you and your government is much bigger than the difference between you and me. And the difference between me and my government is much bigger than the difference between me and you. And our governments are very much the same.
In personal conversations between director and actor, the male directors that I've worked with are just as emotional. Maybe it's because I had to start having very intimate conversations with adult men at a very young age in order to get the work, but I'm really comfortable with dudes. I mean, we push boundaries in this business in terms of getting to know people.
I think there are much bigger differences between players in this league than between coaches. There is a big gap between LeBron James and the small forward for whoever. Far bigger than between two coaches.
People often confuse self-respect with arrogance. I believe that there is a very thin line between the two. Balance between the two is often what leads to happiness.
You know, making an animated movie is such a lonesome thing. You mostly don't see your fellow actors or anything. You go into your booth, you record all your dialogue. It's very much an issue of trust. You leave it all up to the director.
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