A Quote by Russell Crowe
If you grow up ... in the suburbs of anywhere, a dream like this seems kind of vaguely ludicrous and completely unattainable, this moment is directly connected to those childhood imaginings. And for anybody who's on the downside of advantage, and relying purely on courage, it's possible.
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I grew up loving cars. It was completely and utterly, without a doubt, my childhood dream. Whether your childhood dream progresses or changes, you turn into a man and you probably shouldn't still have that same dream.
It just seemed like an unattainable dream to go down to Los Angeles and to land a professional working, acting gig on a show that you really love with a character you really connect with. That doesn't seem possible; that seems insane.
We didn't want to live anymore in the old logic. And I like that. The consequence of that is to create the dream of that, but we all know this dream may be not possible. So here we have the key of the ambiguity of the atmosphere of my films. Is it possible, this dream? Is it as funny as it seems, or is it tragic?
As a kid, I really wanted to have my own show. But when you grow up in poverty, people tell you nothing is possible. So I kind of gave up on that dream.
My childhood dream was always to be on Broadway. I wanted to end up in TV and film. It's kind of flipped, and I'm not mad about it, but my childhood dream is Broadway and I want to end up there.
It was described as Sex and the Suburbs. It's so not that. Because on Sex and the City, those women told each other everything; on our show, it's much more like the real suburbs - nobody tells anybody anything. Everything's a secret.
I grew up in the suburbs, sometimes country-like suburbs because we moved around, but mostly suburbs.
I think when we grow up watching TV, the stars seem like stars. You don't know what they went through. You don't know how they got it. It almost seems unattainable. With social media, we are able to show people if you work hard, that you can literally do the same thing.
Have you seen this video of these cows who have been in a dairy farm, a really shitty one, their entire lives, and they're let out into a field, and they're literally jumping with joy? It's crazy. I don't have any trouble completely becoming that cow. There's no "What is it really like to be a cow?" kind of question anymore. There's no question at that moment whether I understand you completely. I think there is, in that moment, a possible total sympathy. Total sharing.
I don't like to have anybody tell me to be in a place at certain times. That's kind of the advantage of stand up. You're self-employed.
In Dardenne brothers' films is a really small kind of humanity. It's not like the titanic "humanity" of humanism, it's much more gritty and realistic. But again, humanity is what unites all the people I'm talking about, and in such different ways. The humanity is in that moment you glimpse someone and have a completely intimate moment with them, and that intimacy is connected to an extreme pathetic aspect.
Who knows? If there is in fact, a heaven and a hell, all we know for sure is that hell will be a viciously overcrowded version of Phoenix & a clean well lighted place full of sunshine and bromides and fast cars where almost everybody seems vaguely happy, except those who know in their hearts what is missing... And being driven slowly and quietly into the kind of terminal craziness that comes with finally understanding that the one thing you want is not there. Missing. Back-ordered. No tengo. Vaya con dios. Grow up! Small is better. Take what you can get.
They say that childhood forms us, that those early influences are the key to everything. Is the peace of the soul so easily won? Simply the inevitable result of a happy childhood. What makes childhood happy? Parental harmony? Good health? Security? Might not a happy childhood be the worst possible preparation for life? Like leading a lamb to the slaughter.
I grew up in the Seattle suburbs - the suburbs of suburbs. Where I'm from, it's super quiet, just woods and nothing.
We're completely confused about the boundaries between fiction and non-fiction. To me, the moment you compose, you're fictionalising; the moment you remember, you're dreaming. It's ludicrous that we have to pretend that non-fiction has to be real in some absolute sense.
It seems like a cliche, but you do grow up a lot faster when you travel a lot, go through things like this interview, spend time away from home and hang around with other actors. It's inevitable that you're not going to have a so-called normal childhood.
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