A Quote by Russell D. Moore
When my sons arrived in the family, their legal status was not ambiguous at all. They were our kids. But their wants and affections were still atrophied by a year in the orphanage. They didn't know that flies on their faces were bad. They didn't know that a strange man feeding them their first scary gulps of solid food wasn't a torturer. Life in the cribs alone must have seemed to them like freedom. That's what I was missing about the biblical doctrine of adoption. Sure it's glorious in the long run. But it sure seems like hell in the short run.
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They had a year of joy, twelve months of the strange heaven which the salmon know on beds of river shingle, under the gin-clear water. For twenty-four years they were guilty, but this first year was the only one which seemed like happiness. Looking back on it, when they were old, they did not remember that in this year it had ever rained or frozen. The four seasons were coloured like the edge of a rose petal for them.
New teachers were just a part of life, for a few days after one arrived, squawks of interest were emitted from various corners, but then they died away as the teacher was absorbed like everyone else...before you knew it, the fresh ones seemed to have been teaching there forever too, or else they didn't last very long, and were gone before you'd gotten to know them.
Making Superman was so hard. We were a year over schedule. We were there a year and a half, the first time. And in a year and a half, you go through everything you go through in a life. So you can't really go, "Oh, it must have been fun to work with Chris Reeve." In a year and a half, you bonded like a family, so you know someone far too well to think something as simplistic as "Oh, it's just fun." You know their secrets. I mean, it was everything. It was truly - it's a cliché to say we were family, but we really were.
I loved them all the way one loves at any age -- if it's real at all -- obsessively, painfully, with wild exultation, with guilt, with conflict; I wrote poems to and about them, I put them into novels (disguised of course); I brooded upon why they were as they were, so often maddening don't you know? I wrote them ridiculous letters. I lived with their faces. I knew their every gesture by heart. I stalked them like wild animals. I studied them as if they were maps of the world -- and in a way I suppose they were.
I sure saw a lot of kids that I'm sure didn't know a lot about us, or we were definitely new to them. The kids who came up to me afterward, we'd talk about music, sign a lot of autographs. So I'm sure we made a lot of new fans.
They were still in the happier stage of love. They were full of brave illusions about each other, tremendous illusions, so that the communion of self with self seemed to be on a plane where no other human relations mattered. They both seemed to have arrived there with an extraordinary innocence as though a series of pure accidents had driven them together, so many accidents that at last they were forced to conclude that they were for each other. They had arrived with clean hands, or so it seemed, after no traffic with the merely curious and clandestine.
I'm sure you're gonna be taught, if you haven't already, that the people that were here, the Native Americans were beautiful, they were wonderful, they were at one with nature, and these evil white Europeans like Columbus came in and killed them and took them, imprisoned them, stole what was theirs, took it for ourselves.
We have to make sure that our kids still feel good about themselves no matter what their weight, no matter how they feel. We need to make sure that our kids know that we love them no matter who they are, what they look like, what they're eating.
Wayne: I don't feel we did wrong in taking this great country away from them ..... the Indians were selfishly trying to keep it for themselves. .... I'm quite sure that the concept of a Government-run reservation .... seems to be what the socialists are working for now -- to have everyone cared for from cradle to grave ..... But you can't whine and bellyache 'cause somebody else got a break and you didn't, like those Indians are. We'll all be on a reservation soon if the socialists keep subsidizing groups like them with our tax money.
The adventure is when people don't know what they're doing at all. Like, I think that the first pop band to use synthesizers as their main instrument and take it seriously was probably Silver Apples. And they sure didn't know what they were doing, and they sure don't sound like anything else.
You don't know me, dude," he says, not smiling this time. Gonzo examines his cards, prepping for his next move. "People always think that they know other people, but they don't. Not really. I mean, maybe they know things about them, like they won't eat doughnuts or they like action movies or whatever. But they don't know what their friends do in their rooms alone at night or what happened to them when they were kids or if they feel ****ed up for no reason at all.
There was this large group of people that we were talking about on the first album - "The Youth" - but we didn't really know what to tell them. We still don't know what to tell them, but we want to make it seem like maybe there's something we know that they want to know, too.
When my kids were younger, I used to avoid them. I used to sit on the toilet 'til my legs fell asleep. You want to know why your father spends so long in the toilet? Because he's not sure he wants to be a father.
I really did feel like I was surrounded by family members. I didn't have a dad, and I remember there were all these guys - in the old days, there were no women, except a makeup artist or, occasionally, a script supervisor. So there were just guys who taught me how to, you know, whittle wood, or how to pull focus, and what the camera was doing. And if I was being bratty, they'd sit me down and tell me. There were lots of rules about not being late and making sure that you didn't spill anything. So it felt a little bit like I was in a family.
I remember the period in the 1980s where the Beatles were terminally uncool, and it seemed to me then like they were just my little secret, and the rest of the world didn't know anything about them.
I was a big fan of a writer named Jack Vance, a science fiction writer. He always wrote about these guys who were either going down a river in a strange world or would be in this one land where people acted really strange, and he'd have these interactions with them that were strange - he'd usually get run out of town or something. Then he'd end up in the next town over where the rules were totally different. And I love this stuff.
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