A Quote by Russell Freedman

I think that today's books, in which every quote, every conversation, is taken from a memoir, an autobiography, an interview, or what-have-you, are much more convincing.
The difference between memoir and autobiography, as far as I see it, is that a memoir is there primarily to tell one particular story, whereas an autobiography tries to be a full account of a life.
All minds quote. Old and new make the warp and woof of every moment. There is no thread that is not a twist of these two strands. By necessity, by proclivity, and by delight, we all quote. We quote not only books and proverbs, but arts, sciences, religion, customs, and laws; nay, we quote temples and houses, tables and chairs, by imitation.
The Master made it his task to destroy systematically every doctrine, every belief, every concept of the divine, for these things, which were originally intended as pointers, were now being taken as descriptions. He loved to quote the Eastern saying "When the sage points to the moon, all that the idiot sees is the finger.
Donald Trump does not touch alcohol, which is really respectable. But think about that. That means every statement, every interview, every tweet - completely sober.
Every conversation, every failure, every opportunity is a chance to get better. Starting today.
I think it's a false distinction to say that conversation and composition are separate. Because even as we speak, I'm seeing. Every interview is different, and I'm finding new ways to talk about ancient preoccupations. And I sometimes come on something that's immensely helpful and valuable. Plus I like the sensation of conversation.
How do I define who Usher is? I'm still doing it - every day, every new opportunity, every stage, every interview, every other thing that I've done, every time that I've invested in anything that is all the definition of who I am.
Miles Davis, my one and only real hero of my life. I met him [because] every time I had a movie interview, I would shift the conversation to jazz. Miles, when I finally met him, he knew he had a sucker walking in the door. Because his people told him, “This guy plays the trumpet and every freakin’ interview he has ever given, he’s talked about you.”
Maybe the real subject of every interview is how you really can't learn much of anything about anyone from an interview.
I'd like to think that every job and every step I've taken progressed more and more toward the career that I've wanted to have.
I you're writing memoir, but it even comes up in fiction. People just assume that you're writing thinly veiled autobiography. And particularly, I think, for people of color, our work is always seen as kind of anthropological artifact regardless. So, there's always going to be that assumption, but even more so in a memoir because often the names aren't even changed. It is easier to verify.
It's nice being able to speak for myself. Every interview I did for so many years and every time I was in front of the camera, pre-Twitter, there was no way for me to speak for myself. Every interview started with, 'What was it like to work for this man?'
One of the central challenges for global conversation today is to find ways of getting to understand very different views about gender and sexuality. But we should start by recognizing that these issues are subjct to disputation within every society as well as across societies. We need a global conversation that recognizes that we have these very different views. Next, try to agree on fundamental rights: things we think every person is entitled to. Finally, if we're convinced that what a government or a society elsewhere is doing to some people is badly wrong and the conversation gets nowhere.
I mean, you always hope to have a part on every level, on every layer. For us it was very much a conversation about power and sexuality and brutality. And really all the issues that are in that world, in that space, come down to one word, which is "masculinity.
Life is a building. It rises slowly, day by day throughout the years. Every new lesson we learn lays a block on the edifice, which is rising silently within us. Every experience, every touch of another life on ours, every influence that impresses us, every book we read, every conversation we hear, every act of our commonest days, adds something to the invisible building.
Every interview is as much an impression of the journalist as it is the artist or subject. You look at interviews and you see a portrait of two people. The worst thing that can happen is if you're misquoted and then that quote is misquoted. That does drive one crazy. The most embarrassing thing is when your words are misrepresented or sometimes you say something stupid and you live to regret it.
This site uses cookies to ensure you get the best experience. More info...
Got it!