A Quote by Russell Hoban

Usually my starting point is something that I've seen. It might be a painting, it might be an object. But they always start from a definite sensory experience. — © Russell Hoban
Usually my starting point is something that I've seen. It might be a painting, it might be an object. But they always start from a definite sensory experience.
One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.
I think the idea of embracing the process, creating something, no matter how thin it is, that you can call a starting point - whether it's a word or it's an idea, or it's a little piece of narrative that you might base a film on - starting that journey of making the work. That's also something that every individual does very differently.
I've always found it difficult to start with a definite idea, but if I start with a pond that's being drained because of a diesel fuel leak and a cow named Hortense and some blackbirds flying over and a woman in the distance waving, then I might get somewhere.
I've always seen process of crafting as part of the thinking process. It really forms the gestation of the work. I'll get an idea; I want to express this idea, sometimes I'll start it, but during the process of making the object - if it's an object or a painting - it changes. It never goes in a linear progression from A to Zed. It's always this kind of circuitous, stumbling, groping in the dark kind of process of evolving.
I feel as though I haven't seen an object until I actually start painting it.
Nothing you will object to," James replied in a soothing tone. I cannot think how he came to imagine that he would know what I might or might not object to.
Jesus offered a single incentive to follow himto summarize his selling point: 'Follow me, and you might be happy-or you might not. Follow me, and you might be empowered-or you might not. Follow me, and you might have more friends-or you might not. Follow me, and you might have the answers-or you might not. Follow me, and you might be better off-or you might not. If you follow me, you may be worse off in every way you use to measure life. Follow me nevertheless. Because I have an offer that is worth giving up everything you have: you will learn to love well.'
In other searchings it might be the object of the quest that brought satisfaction, or it might be something incidental that one got on the way; but in religion, desire was fulfilment, it was the seeking itself that rewarded.
And, of course, they've always condemned dancing. You know, you might touch a member of the opposite sex. And you might get excited and you might do something natural.
I think it was very important for me to look at starting to build a safety net so that I didn't feel the insecurity of the ups and downs of finances because I might do no film a year, or I might do six commercials, or I might do none.
In the numerous observations made in my laboratory upon this object, we have only once seen a combination of vessels in which there might be a direct communication between a small artery and a vein, though the two observers could not come to a final conclusion on the point.
Prose is something that is persistent in staying in one place long enough to not only zero in on the dramatic effect of something that might have happened, or something that might have been seen, but also in watching how it played out and thinking about the cause and the effect.
You start to think in terms of making an album that might be greater than the sum of its parts. It's sort of like having a lot of footage and then editing it into something that will make sense to a viewer, you know. Sometimes it might involve even working on an older song that might complete that picture.
Sex might satisfy, food might fuel, love might sustain, but without coffee, what is the point?
A novel is, hopefully, the starting point of a conversation, one in which the author engages readers and asks that they see things from a different point of view than they might otherwise.
Styling is my form of painting. I can understand the process behind it, the being afraid to start, and the diving into it. I've learned not to be afraid of doing something that might not be right. If you don't try then you won't know.
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