A Quote by Russell Howard
If you want any attention in the Howard household, you have to shout quite loudly and try to develop a personality.
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My job as an artist is to speak up for those who might be perceived as the losers. Or those who can't shout. No wonder public-school people always get into politics or acting: they're taught to shout that much more loudly.
Ask questions then talk over answers, shout loudly you love everyone, try and hug people, confide in them that you are a sheep, offer them the last grass in your pockets.
Then watch with a smile as they pretend you aren't there, and whisper you must be crazy, because you want to make friends.
In the opening stage of most careers any attention is what you want, any attention is good attention, even if it's bad attention.
People talk, 'Oh your father's a misogynist, look what he said about women,' like, on 'Howard Stern.' When he gets with Howard Stern, who's a friend of his, he'll joke around, because it's a comedy show. He's allowed to have a personality.
The phrase you usually hear after a cut is "That was great. Perhaps we could have another go. Maybe try it this way." Even that much direction is prefaced with a lot of praise and encouragement. It's quite like how you deal with toddlers: positive reinforcement, and then a little suggestion that you might want to try something different. Roman Polanski will stop the take and shout, "No, no, no!" Which is somewhat alarming the first time it happens.
I would say it's a lot easier to develop a decoy system than to develop the intercontinental ballistic missile itself. I would think that any country that could develop the missile could develop quite a decoy system. It doesn't have to be terribly sophisticated.
It's difficult for me to really temper my personality, but I am trying to be a little more sensible about it. If I really lose my temper, I go to my room and scream and shout, but I try not to lose it on people any more. I've never said something mean just like that. I've only said things in retaliation.
Amiri Baraka went to Howard. Lucille Clifton went to Howard. Ossie Davis went to Howard. And I was aware of that when I was there. Charles Drew went to Howard. Thurgood Marshall went to the law school. Being aware of that and having all of that brought to bear, again, it's one of those things that I can't really separate from my career as a writer.
Women must not shout back when their husbands come home and shout at them for any reason.
I guess I always like being asked questions about influence or inspiration, like, "What are you reading? Who are your heroes? Is there any one person you want to shout out to now?" I really love paying it forward with love and attention, because that's what I like to read.
Until a man can quit talking loudly to himself in order to shout down the memories of blunderings and gropings, he is in no shape for the painstaking examination of distress.
I believe I am quite amiable and affable and quite fair, and I've rarely worked with people who are the opposite. Moodiness scares me. What gets to me is unkindness. Madness. Unwarranted cruelty through words. People who scream and shout at work. I hate confrontation and violence. I've done it in the past and I don't want to do it again. I guess I want a perfect world.
In preindustrial times, the idea of creating something was more related to your personality. Personality was something that you constructed; it's something you had to actively develop and work on. Now personality is something that you have.
I grew up in a very political household. My mum used to shout at the television. At Mrs. Thatcher.
My first-ever date on my first tour, the sound completely cut out. So I had to go on and just shout loudly to the audience.
You want attention, you want to grab some of that airspace that exists out there in a world that's very difficult to get it because it's so competitive and to get it for more than a few seconds. Any attention is good and that can be what we would normally consider as bad attention so I wanted to make you aware of that dynamic.
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