A Quote by Russell James

If you give the same 200 frames to 200 different people, they'll all probably pick a different frame. The key is editing. Be intuitive enough to be shooting at the right moment, and when you're seeing the action happening just as you want it, shoot. And in the edit you have to go with your gut.
You can't just take and sample size a few hundred people and decide that what you think 200 - almost 200 million people are going to vote and go do. It's a complex country.
I have no agenda at all. I just want to do stuff I like. It can cost $200 million or $200 thousand.
When I was in motor racing, I had taken the decision to risk my life. But when you run an airline, and more than 200 people want to go from A to B - and they don't arrive - that's a different responsibility.
You do need to edit yourself as you shoot because you have fewer options in a smaller movie. In other words, when I'm shooting a big movie, and I got an 85 day shooting schedule or more, then I'm saying I have enough time to shoot option A and B and C and D for every scene.
Our mandate is to find the 200 best companies in the world and invest in them, and find the 200 worst companies in the world and go short on them. If the 200 best don't do better than the 200 worst, you should probably be in another business.
I moved to Madrid with 200 bucks in my pocket to see what was going to happen. Of course, I didn't know that 200 euros was nothing, because in Cuba, 200 was a lot, and the money I had been saving from my movies.
And I think that’s a lot of the reason why when you start to fragment your audience, you start to think about what you’re looking for, you’ll go to different spaces, and it parallels what we do as adults. You go to different bars when you’re in the mood for different things. You see different people when you want to go listen to music or when you just want to have a quiet drink with a couple of friends.
It's a lot of power to give the director to edit his own stuff. It's also a time thing: you don't want to have to wait for the guy to finish shooting before he starts editing.
With tennis, you can go pick up a racket, take a lesson, and understand how much talent and skill it takes to be as good as the top pros. Same with golf: pick up a club. But not many can go out and get in a race car and experience a drive at over 200 miles an hour.
200 for a batsman is a big landmark, and I have never been somebody who has chased landmarks, but getting a 200 will always be a proud moment for a batsman.
I had a moment where I had reached 200,000 followers. At the time, a lot of people would get to that number on YouTube, and they'd stop growing. I was really scared because I didn't want that to happen to me, so when I reached 200,000 subscribers, I was like, 'Eva, you have to do this. You have to work hard and push past this number.'
Once I'm in the editing room, forget about what I intended to shoot. I take a cold, hard look at what I really did shoot, and then I edit that because, if you try to edit what you intended and you missed somewhere, that will show up.
They do the same thing [with cigarette] that they do in the kind of action picture where you know 200 people are killed and then there's no pain.
I've worked on jobs where there are almost 200 people on set... you always make an effort to have a relationship but you can't really when there's 200.
I've decided to pick my moment to retire very carefully - in about 200 years time.
I’ve decided to pick my moment to retire very carefully – in about 200 years’ time.
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