A Quote by Russell Peters
Do it [stand-up comedy] because it feels like the right thing to do. Do it because you don't want to do anything else. There is something in you that does not want you to do anything else other than comedy.
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It's very hard to find a good comedy. I prefer doing comedy far over anything else because I think they're actually more profound. But finding a good one and a great ensemble is very difficult to do and I'm delighted that in these particular times there is so much interest in comedy and that comedy is having so much success.
I'd like to do more dramatic roles but I would never give up comedy to do it. I've seen a lot of actors that do a complete 180 degrees and say: "I'm done with comedy, I want to be taken seriously." I take my comedy very seriously and I want to be taken seriously because of my comedy. I think it's more fun for me. I enjoy laughing and attempting to make people laugh. So I'd like to do more drama but I'd never do the 180 thing.
I'm a stand-up comic. Anything else I do besides that is a plus, but stand-up comedy is what I do, it's what I've been doing and it's what I'm going to keep doing.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
I am an artist because the knot is so powerful I just can not, nor want to be, anything else or do anything else.
You know how hard you work. You know what you put into it. You want to win more than anything else. So the disappointment at the end is not because of anything other than being frustrated with yourself.
I think if anything, the fact that it's popular right now makes me go: "Well, I guess I'm going to start doing something else then in the next few years." I dunno, it almost feels hackneyed at this point. To start a premise by saying, "I did this awkward thing." But then again, awkwardness and feeling alienated are always going to be a part of comedy. Alienation, I suppose, can't be hackneyed because it will always exist.
To have something which one particularly wants to do is more important than anything else. It is even more important than succeeding in that thing you want to do. In fact it does not matter if you fail, but it does matter that you do or do not want to do something.
I only did the comedy thing because I just thought I could do it better than anyone else at the time. And I was right.
I liked horror and comedy, basically, from a young age, but I just ended up getting into comedy because there was - I could do stand-up comedy, and that was my way into this business, and then there was no stand-up horror, and I didn't know how to get into that world.
I would expunge the word "aptitude" from our vocabulary, because if you're interested in something, that's all that matters. You'll spend more time doing it, that than anything else, and possibly more time doing it than anybody else. And that's all that matters, because in the end, if you love what you do, you'll be your best at it compared to anything else you might have chosen as a career.
There's a lot of comedy in Intermission but it's got this depth. It's not comedy for comedy's sake - it's informed by something else. I like stuff like that
There's a lot of comedy in Intermission but it's got this depth. It's not comedy for comedy's sake - it's informed by something else. I like stuff like that.
Just because something feels better than anything else, that doesn't mean it's good for you.
I liked that improv and sketch comedy were collaborative, but you really depended on other people and a stage to perform. With stand-up comedy, I liked that you had no one else to blame and depend on.
There wasn't a big tradition of comedy at Dartmouth. More than that, there wasn't really anything artsy going on in Hanover, or even in New Hampshire. The cool thing about the school is that there's nothing for people to watch, so if you were to do a play or a sketch or an improv troupe, it was always packed. There's nowhere else for anyone to go. But there was no comedy.
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