A Quote by Russell Simmons
I would like to employ more people but I don't want to empower my charities at the cost of exploiting people or doing things that are not useful, so I'm working on that.
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Pageants were an amazing platform that gave a little girl like me from the mountains of my beautiful Puerto Rico a chance to travel, explore the world, meet amazing people, work for great charities and be a voice to empower women wherever I went. For all those things, I am grateful.
I'm one of those people that thinks the world changes in smaller and in more mysterious ways than a lot of people like to think. A lot of traditional charities and organizations do things that on the surface seem like a good idea, but it doesn't change the way that people think about interacting with other people.
I think that if we want to create a healthier country, we need to empower more people to make changes in their lives. But we also have to empower them to help change their environment.
If I were not a writer, I would spend more time doing the things that I am already doing, which include doing research in physics, teaching, and running a nonprofit organization with a mission to empower women in Cambodia.
I want the least number of decision makers. We want to empower people to get more things done and also give permission to question orthodoxy.
The marginal cost of doing something 'just this once' always seems to be negligible, but the full cost will typically be much higher. Yet unconsciously, we will naturally employ the marginal-cost doctrine in our personal lives.
Keep it moving. Don't hoard. Money's no good, get rid of it. Turn it into people doing things. Turn it into jobs. Turn it into happiness...The more people I employ, the happier I am - that means my money's goin' into other people's lives, and if I can give 'em something to create that they can be happy with, that's great.
The thing about doing concerts is that it's doing a live show. It's on my schedule. It's songs I want to sing. It's saying what I want to say. It's working with the people I want to work with. I don't have to worry about pleasing other people - I can do what I want, and people come along and go for the ride.
If you really want people to remain healthy, you can't just throw pills at people once they become sick, which I feel like I was doing as a medical doctor, so I began working on more upstream thinking.
I don't have too many plans filled out. I know I want to keep doing more music. I've got a couple of albums worth of songs I'd like to put it out there. As far as movies, I just want to continue how I've been doing it: working with terrific people is certainly on my agenda, and then doing stories that interest me.
I spend as much time as I possibly can doing things for other people, if I can. If I see a need and I feel that I can help, I do it. I work a great deal in terms of charities and things.
Our goal is to tell people about the International Space Station. I think very rarely people look up 250 miles and think, What are those guys working on, what are those men and women doing at this moment... They're living and doing regular things, but also doing incredible work as well. We really want to bring that to people.
Charities are now working to give people in poor countries access to the Internet. But shouldn't we spend that money on providing health clinics and safe water? Aren't these things more relevant? I have no intention of downplaying the importance of the Internet, but its impact has been exaggerated.
I don't think I'm always right, but I would like to empower people to come to sound conclusions using a systematic way of looking at things.
Even though we all might have differences, there's commonality in the sense [that] people are hard-working, people want to raise a family, people want to put a roof over their head, people want to put food on their table, people want good things for their children.
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
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