A Quote by Russell Simmons

The soundtrack in the poetry is the soundtrack from your own heartbeat. — © Russell Simmons
The soundtrack in the poetry is the soundtrack from your own heartbeat.
I want to remind people that there is no soundtrack in 'Southland;' there is no scored music or soundtrack telling you what you're supposed to feel.
Maybe what life needs is a good soundtrack, especially during the long stretches when nothing interesting is being said. A soundtrack might dignify things a bit, ennobling us with the proper drama and tension and pathos.
I remember watching Romeo + Juliet when I was 14 and listening to the soundtrack. When I hear that soundtrack now, all those emotions come back. It's really beautiful when you're at a certain point in your life where most of the adventure lies ahead of you. And it's a sad thing when you feel like you've lost that. But you can get it back.
The first record I bought was the 'Edward Scissorhands' soundtrack. I remember being really obsessed with the movie, and all the campiness sort of went over my head because I was so little - it's the same with 'Hairspray.' But I would listen to that soundtrack a lot.
There's the soundtrack to The French Connection II'I think It's my favorite soundtrack. It hasn't been released. I actually had to go and get the film and just make a recording of it to get the music.
My first super-worn-out tapes were Michael Jackson's 'Bad' and the soundtrack to 'Dirty Dancing.' The soundtrack to 'Dirty Dancing' is actually really phenomenal.
Sometimes when you are standing still and it’s snowing, you think that you hear music. You can’t tell where it’s coming from either. I wondered if we all really did have a soundtrack, but we just get so used to it that we can’t hear it anymore, the same way that we block out the sound of our own heartbeat.
I'd like to convince you that the universe has a soundtrack and that soundtrack is played on space itself, because space can wobble like a drum.
I have the soundtrack for 'A Clockwork Orange,' which is kind of cool. I guess I don't really end up buying a lot of modern soundtracks. Another soundtrack I love is from a French movie called 'Betty Blue.' it has some really melancholy piano work.
The way that I write songs is pretty simple. I hear music first, much like you would when you're scoring a film. I usually hear a soundtrack in my head, and after I get that soundtrack, it tells me what it's about, what it feels like, what the emotion is, and the words come after.
I was living in Gainesville, Florida, and our babysitter brought over the soundtrack to The Who's "Tommy" - not the actual record "Tommy", but the soundtrack to the movie with Elton John and Aretha Franklin. I remember hearing it for the first time and it was so confusing. It was like waves and waves of unknowable and indescribable sound coming out of the stereo.
I always try to make the soundtrack a good CD on its own.
Music is the soundtrack of your life.
We eat breakfast, lunch, and dinner to the soundtrack of our own impending death.
If my music can be part of the soundtrack to your day, that's such an honour.
My all time favourite films - one is 'Mary Poppins,' and the other one is 'Pakeezah.' 'Pakeezah' was an Indian film. The beauty of 'Pakeezah' was that it had a soundtrack which was pure poetry.
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