A Quote by Russell Simmons

Black actors on the road, flying around the country working as poets. Those people are inspirations for millions of kids who write. — © Russell Simmons
Black actors on the road, flying around the country working as poets. Those people are inspirations for millions of kids who write.
Now I would say at any given moment in American life, there are probably 45 poets in airplanes vectoring across the country heading towards...I don't know if anyone's reading it, but poets are still flying around the country going from lectern to lectern.That circuitry has become very well-established.
To write fiction, one needs a whole series of inspirations about people in an actual environment, and then a whole lot of work on the basis of those inspirations.
I carry around a black leather Moleskine journal all the time. And I always write ideas down, especially when I'm on set and working with actors like Jeremy Irons and Viola Davis and learning from them.
There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
Ali helped raise black people in this country out of mental slavery. The entire experience of being black changed for millions of people because of Ali.
Kids don't have a little brother working in the coal mine, they don't have a little sister coughing her lungs out in the looms of the big mill towns of the Northeast. Why? Because we organized; we broke the back of the sweatshops in this country; we have child labor laws. Those were not benevolent gifts from enlightened management. They were fought for, they were bled for, they were died for by working people, by people like us. Kids ought to know that.
To me, flying free is doing what I want to do, even if it's different from what everybody expects me to do. I'm flying free when I win the battle between me and the people who thought I should go down this road and I find my own road.
Soldiers join the military to serve their country, but when bullets are flying, it's hard to fight for an abstract notion like patriotism. They're fighting for the people standing next to them, and it doesn't matter who's a Republican or a Democrat, or who's black or white or Christian or Muslim or gay or straight. If Congress and all Americans could manage to ignore those differences, we would have a perfect country, but somehow we cannot rise to that level of nobility.
But for poor black people and working-class black people, it is a much more difficult way to go. The over-incarceration of black people is just intolerable. When you look at the disparity in terms of education and access to fair schooling, it is horrible. If this would happen to white people in this country, it would not be tolerated.
I guess some kids around me had to grow up quickly, had all those problems. But I wasn't one of those kids, or around those kids, not at all.
I have black friends, but I don't just hang out with black kids. I might pull up with Indian kids, white kids, black kids, whatever.
I don't really write with actors in mind; I write with characters and then hope desperately that we can get good actors to play those parts.
It was so much fun working with these young kid actors. We had a great time and those kids are truly amazing.
I love the smell of Waffle House; it's the smell of freedom, being on the open road and knowing that ninety percent of the people eating around you are also on that road. Truck driver's, road-trippers, hangovers--those who don't live that monotonous life of society slavery.
For hundreds of years, that was the major form of entertainment: The grown-ups sat around and watched the kids play. Now they sit around and watch the television. The actors are the kids.
Most poets, most good poets even, no longer have the heart to write about what is most terrible in the world of the present: the bombs waiting beside the rockets, the hundreds of millions staring into the temporary shelter of their television sets, the decline of the West that seems less a decline than the fall preceding an explosion.
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