A Quote by Russell Smith

Personally, I see little distinction between an artistic mentality and criminality. You couldn't possibly create a compelling story without some wickedness or some fascination with the disgusting. Being good is a hindrance to a writer.
All the writing elements are the same. You need to tell a good story... You've got good characters... People think there's some dramatic difference between writing 'Little Bear' and the 'Hunger Games,' and as a writer, for me, there isn't.
There are some people who make a big distinction between n - a, which they say is OK, and n - - . Now, in my view, it's important to know about that distinction, because some people put a lot of weight on it. I don't.
Stories? We all spend our lives telling them, about this, about that, about people … But some? Some stories are so good we wish they’d never end. They’re so gripping that we’ll go without sleep just to see a little bit more. Some stories bring us laughter and sometimes they bring us tears … but isn’t that what a great story does? Makes you feel? Stories that are so powerful … they really are with us forever.
It's a lot harder to write a story that's compelling about identity and sense of self without some villain in the room.
There may be a time in life when one is tired of everything and feels as if all one does is wrong, and there maybe some truth in it- do you think this is a feeling one must try to forget and to banish, or is it 'the longing for God,' which one must not fear, but cherish to see if it may bring us some good? Is it 'the longing for God' which leads us to make a choice which we never regret? Let us keep courage and try to be patient and gentle. And not mind being eccentric, and make distinction between good and evil.
I try to tell the best story, and the story that has some heart and some genuine terror and some social commentary and some comedy and some romance and some sex and some violence.
I feel like I can't be sick without some story being made up or some photos being sold a month later.
If you do not take the distinction between good and bad very seriously, then it is easy to say that anything you find in this world is a part of God. But, of course, if you think some things really bad, and God really good, then you cannot talk like that. You must believe that God is separate from the world and that some of the things we see in it are contrary to His will.
I believe in breakfast. It's the one meal that my kids usually eat without a fuss, so that's huge. As for myself, I can't function without it, and I see it as a great way to get some healthy greens in, some coffee, and on a good day, maybe even some news of the world via the newspaper.
I say that being a smart writer doesn't make you a good writer. There's obviously a difference between talent and intelligence. And it may be that at some point intelligence begins to impinge on talent, or talent on intelligence.
You can't look at the Noah story and not see some kind of environmental connection. The Creator wants to start over. He wants creation to be given a shot at survival, and the true enemy is the wickedness of men.
During the course of a day, some dark feeling comes, maybe some sadness comes, some thrill, some great happiness, some strange humor. Cinema can embrace all that in one story, just as the story of life.
When people see some things as beautiful, other things become ugly. When people see some things as good, other things become bad. Being and non-being create each other. Difficult and easy support each other. Long and short define each other. High and low depend on each other. Before and after follow each other. Therefore the Master acts without doing anything and teaches without saying anything. Things arise and she lets them come; things disappear and she lets them go. She has but doesn't possess, acts but doesn't expect. When her work is done, she forgets it. That is why it lasts forever.
I would say the flip side to my fascination with systems is a fascination with components. So many of my books are dialogues between little and big.
In my experience with print journalists, the distinction between remarks being uttered on- or off-the-record is held sacrosanct, but the distinction between truth and falsity sometimes isn't.
The story knows itself better than the writer does at some point, knows what's being said before the writer figures out how to say it.
This site uses cookies to ensure you get the best experience. More info...
Got it!