A Quote by Russell Smith

It's great that I can look up a fact instantly on my cellphone, but I miss the days in my room with a dog-eared, text-heavy paperback, immersed in the statistics of crime and punishment and lunacy, completely alone with the narrative of human depravity.
The library of my elementary school had this great biography section, and I read all of these paperback biographies until they were dog-eared. The story of Eleanor Roosevelt and Madame Curie and Martin Luther King and George Washington Carver and on and on and on.
It's kind of like sentencing. A lot of people say that we have a heavy sentence for this crime and a light sentence for another crime, and what we ought to do is reduce the heavy sentence so it's more in line with the other. Wrong. In most cases we ought to increase the light sentence and make it compatible with the heavy sentence, and be serious about punishment because we are becoming too tolerant as a society, folks, especially of crime, in too many parts of the country.
Crime is a fact of the human species, a fact of that species alone, but it is above all the secret aspect, impenetrable and hidden. Crime hides, and by far the most terrifying things are those which elude us.
To call it a crime against Mankind is to miss at least half its significance, it is also the punishment of a crime.
A dog will make eye contact. A cat will, too, but a cat's eyes don't even look entirely warm-blooded to me, whereas a dog's eyes look human except less guarded. A dog will look at you as if to say, "What do you want me to do for you? I'll do anything for you." Whether a dog can in fact, do anything for you if you don't have sheep (I never have) is another matter. The dog is willing.
The saying within the writer's room, which were my words of wisdom, if you will, was, "The punishment doesn't have to fit the crime, but there has to be a crime."
Colin [Farrell] I talked to several times on the phone, and I said, remember, we have only twenty-five days of doing the movie [Miss Julie], so you must know some of your text. I was a little un-feminist, I didn't want to say [bossy voice] "learn your text!" But when he came, he knew all his text.
I really like the interplay between thinking of text as ephemeral and thinking of it as a concrete, physical thing. With almost anything that I write, I'll stay completely immersed in the electronic text of it for a period of time and in another period, I'll stay immersed in it as a physical thing that can cut your skin. So with the apocalypses, I had them taped all over the wall and they had codes on them. Sometimes I would color code them in terms of thematic elements, sometimes in terms of voice, sometimes visual forms or images.
Björk’s wraparound swan frock . . . made her look like a refugee from the more dog-eared precincts of provincial ballet.
As the bull market goes on, people who take great risks achieve great rewards, seemingly without punishment. It's like crime without punishment or sex without sin.
With Orff it is text, text, text - the music always subordinate. Not so with me. In 'Magnificat,' the text is important, but in some places I'm writing just music and not caring about text. Sometimes I'm using extremely complicated polyphony where the text is completely buried. So no, I am not another Orff, and I'm not primitive.
Learning is available at the library for free; under a tree with a dog-eared paperback; at a job with a boss who gives you responsibility and mentorship; while traveling; while leading a cause, movement, or charity; while writing a novel or composing a poem or crafting a song; while interning, apprenticing, or volunteering; while playing a sport or immersing yourself in a language; while starting a business; and now, while watching a TED talk or taking a Khan Academy class.
We've clearly entered a period in which the analog of text is no longer important or relevant. All text will be electronic. I accept that fact. My house has thousands of books in it, and I've started to look at them completely differently. They now seem to me to be like antiquarian objects. Their use value has become negligible to me because I'm perfectly happy to read on an e-reader.
About 10 percent of the time, I miss 3 to 5 percent of the game. I look back, and I'm happy that I played. I'm not wistful. You miss big games. I miss the locker room camaraderie. Sometimes I miss the lifestyle.
For so long, the model for writing has been, you sit in a room alone for a number of days or weeks or months or years and figure it out. But now, you don't have to do that; you don't have to be alone in the room anymore.
Governments have tried to stop crime through punishment throughout the ages, but crime continued in the past punishment remains. Crime can only be stopped through a preventive approach in the schools. You teach the students Transcendental Meditation, and right away they'll begin using their full brain physiology sensible and they will not get sidetracked into wrong things.
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