A Quote by Russell Smith

Verisimilitude is something I am constantly seeking in fiction. I am looking for surface detail that makes something seem real. — © Russell Smith
Verisimilitude is something I am constantly seeking in fiction. I am looking for surface detail that makes something seem real.
I love dessert. All kinds. But there's something about ice cream that makes me happy. I am drawn to its simplicity. I am perplexed by the endless supply of constantly growing flavor options. And I am always in the mood for sprinkles and a sugar cone.
There is something else I am after, out here in the wild. I am searching for an even more elusive prey . . . something that can only be found through the help of wilderness. I am looking for my heart.
I am looking for movies that are actually about something and that are questioning something. Movies that are provocative in some way and I am also looking for roles that I think will force me to grow or learn something about myself or the world in order to play them well.
When you have a limited theory of willpower, you're constantly on alert, constantly monitoring yourself. 'Am I tired? Am I hungry? Do I need a break? How am I feeling?' And at the first sign that something is flagging, you think, 'I need a rest or a boost.'
I am good when there is something central about the character. There is always a human theme I attach myself to. I am really looking for something that is moving or enlightening or something with depth as an actor. I look for these kinds of roles.
For me, fiction belongs to my inner being, is something essential which defines me - I am a fiction writer in the same way I am a woman, the same way I am dark-haired - it is something essential and structural. It's like an exogenous skeleton that keeps me going. And I don't know how I would manage to live without writing, working with words.
So much of what deejays like myself do is, I'm very interested in - I'm constantly looking for new music, constantly digging, but then also I am thinking about how to present it in a way that kind of makes sense to people who are less - sort of less with their hands in it than I am.
Breakthroughs happen when the insight comes that I can do something right now to improve things. I am constantly looking to do something to provide people with strategies to create those immediate breakthroughs. That's my mission.
I am an artist... It's self-evident that what that word implies is looking for something all the time without ever finding it in full. It is the opposite of saying, 'I know all about it. I've already found it.' As far as I'm concerned, the word means, 'I am looking. I am hunting for it. I am deeply involved.'
When I am writing political op-eds, I do think carefully about the impact of my words. When I am writing fiction, it's a different story. In my fiction I am more reckless. I don't care about the real world until I am done with the book.
Acting is about giving something away, handing yourself over to whatever role you are asked to play. I'm not hiding or escaping or seeking anonymity. I reserve the right not to have a rubber stamp on my forehead saying this is who I am. Because who I am gets in the way of people looking innocently at the parts I play.
Are you looking for something real in this world of illusions? Call me. Casual Flings need not apply. I am looking for Love.
I think one thing with Sweden is that in some way the Swedish society is a very good society, almost perfect on the surface. That is something that makes the writers forced to see what is underneath the surface, because it's always something underneath the surface, of course.
The detail adds an element of unexpected something. All fiction is false; what makes it convincing is that it runs alongside the truth. The real world has lots of incidental details, so a painting also has to have that element of imperfection and irregularity, those incidental details.
Thus, in a real sense, I am constantly writing autobiography, but I have to turn it into fiction in order to give it credibility.
It is a misrepresentation to call my works fiction; the work loses something when categorized this way. I realize that the stories are somewhat unbelievable, but the fact that they do actually unfold in reality and leave evidence, that they play out in the "real" world, is important to the work. I am the protagonist of the story, but I am not in full control of it.
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