A Quote by Russell T Davies

I hate the idea that I have to represent any particular section of society; I just write good telly, that's all. — © Russell T Davies
I hate the idea that I have to represent any particular section of society; I just write good telly, that's all.
A good idea is not enough. It must be the fit of a particular idea for a particular entrepreneur and, ideally, unfair advantages in why said particular entrepreneur is going to address said particular idea.
I would like to write a novel, or at least try to write one, although my motives are not entirely pure. For one thing, I get asked about writing novels so much that I feel guilty about never having written one. And although I have no strong desire to write a novel, I would hate not to try. That would just be silly. On the other hand, I hate the idea of slogging through something that turns out to be not good.
In any society, fanatics who hate don't hate only me - they hate you, too. They hate everybody.
Yes, gentlemen, give me the map of any country, its configuration, its climate, its waters, its winds, and the whole of its physical geography; give me its natural productions, its flora, its zoology, &c., and I pledge myself to tell you, a priori, what will be the quality of man in history:-not accidentally, but necessarily; not at any particular epoch, but in all; in short, -what idea he is called to represent.
Gardeners (or just plain simple writers who write about the garden) always have something they like intensely and in particular, right at the moment you engage them in the reality of the borders they cultivate, the space in the garden they occupy at any moment, they like in particular this, or they like in particular that.
I'm not committed as a writer, in the usual sense of the term, either religiously or politically. And I'm not conscious of any particular social function. I write because I want to write. I don't see any placards on myself, and I don't carry any banners.
I think if you've got a good idea it will stand out in one of the different mediums. For example, something might happen to me today and it could be something to talk about tomorrow on the radio, or I can write about it, or perhaps it will be best suited to telly.
England was killed by an idea: the idea that the weak, indolent and profligate must be supported by the strong, industrious, and frugal – to the degree that tax-consumers will have a living standard comparable to that of taxpayers; the idea that government exists for the purpose of plundering those who work to give the product of their labor to those who do not work. The economic and social cannibalism produced by this communist-socialist idea will destroy any society which adopts it and clings to it as a basic principle – ANY society.
Talking about what any one section of our society has to do to combat racism just stops people outside that group asking difficult questions of themselves. We keep looking at symptoms and not treating the cause.
All necessary steps needed to be taken to tackle terrorism will be adopted...but we will keep in mind that a particular religion or section of society does not face problems unnecessary
Any comprehensive doctrine, religious or secular, can be introduced into any political argument at any time, but I argue that people who do this should also present what they believe are public reasons for their argument. So their opinion is no longer just that of one particular party, but an opinion that all members of a society might reasonably agree to, not necessarily that they would agree to. What's important is that people give the kinds of reasons that can be understood and appraised apart from their particular comprehensive doctrines.
Being able to write an idea down succinctly doesn't make that idea any better than one which rambles on a bit. It just comes to the point sooner.
Any negative review you write, they'll say, "Oh, you're being so mean." I think the problem with a lot of criticism is that too many critics either write just description or they write in a Mandarin jargon that only a handful of people can understand, or they write happy criticis - everything is good that they write about. I think that's really not good. I think it's damaged a lot of our critical voices.
We've learned over the years that if we wanted we could write anything that just felt good or sounded good and it didn't necessarily have to have any particular meaning to us. As odd as it seemed to us, reviewers would take it upon themselves to interject their own meanings on our lyrics. Sometimes we sit and read other people's interpretations of our lyrics and think, 'Hey, that's pretty good.' If we liked it, we would keep our mouths shut and just accept the credit as if it was what we meant all along.
'Paycheck,' I thought, was a really, really good idea. I never got an opportunity, unfortunately, to read the novel, but I loved the idea of how to deal with intellectual properties. I just don't know that we necessarily got to the heart of that particular idea. I think it became more of a chase movie than anything else.
All my life I have been intensely repelled by the idea of 'making an effort'. I hate this idea today as much as I did as a child. I don't know why I hate it so much; I just do.
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