A Quote by Russell Tovey

I'd actually quite like to try working behind a bar for a while. I'd give that a go. — © Russell Tovey
I'd actually quite like to try working behind a bar for a while. I'd give that a go.
I think everybody's got different methods of working which suit the particular individual. Mine is to sort of play the part, and give 100%, to concentrate and focus on it while I'm actually working, but then leave it behind until the next day.
Regardless of how you feel inside, always try to look like a winner. Even if you are behind, a sustained look of control and confidence can give you a mental edge that results in victory. - Diane Arbus By letting it go it all gets done. The world is won by those who let it go. But when you try and try. The world is beyond the winning.
I actually quite like working with kids and I like working with animals, which is what everybody says you shouldn't do, because it makes you feel like you're not acting.
I actually quite like working with kids and I like working with animals, which everybody says you shouldn't do. It makes you feel like you're not acting, as soon as you have someone who's providing stuff to react to.
Aristotle compiled the first known comprehensive list of all winners of the Olympic Games. Which means that quite probably he was sat in a bar with Plato, muttering 'Go on then, give me any year you like and I'll tell you who won the four-man bobsleigh.'
I was working for a Swedish TV show - I'm Swedish - who basically did kind of spectacular stories. It was almost like CBS '60 Minutes,' but a Swedish version where we actually did travel quite a lot. After a while, I realized that travel is the most fun part of this, so why not do it for a longer time and just go off and explore?
My father stood behind a bar in the back of the room all those years, so one day I could stand behind a podium in the front of a room. That journey, from behind that bar to behind this podium, goes to the essence of the American miracle - that we're exceptional not because we have more rich people here. We're special because dreams that are impossible anywhere else, come true here.
We [with Les Charles] started talking about hotel stories, and we found that a lot of the action was happening in the hotel bar. We actually thought of that while we were in a bar: "Why would anyone ever leave here?"
I'm quite shocked and have been for quite a while as for the way people are treating each other. That's why I go out and I speak for the hungry, and if I see somebody needs a hug during the day, I'll go and give them a hug, and I think we should all use a little bit more of that.
Working behind the cocktail bar was a different kind of escapism, a creative outlet with a newfound respect for alcohol. I didn't drink as I was also working day shifts in a coffee shop and, later, the fire service, and needed my wits about me to pull off my 60-hour working weeks.
I love to write. I write everything across the board - kids' stories and novels and scripts. I actually would like to give that a go; I'd like to try to be a writer.
Boxing is a full-body workout, and while you're in it and learning the procedures and steps, you're working out at the same time. Sometimes it don't feel like you're actually working out, which I like.
I really try to divorce myself from any thought of possible use of this stuff. That's part of the discipline. My only purpose while I'm working is to try to make interesting photographs, and what to do with them is another act - an alter consideration. Certainly while I'm working, I want them to be as useless as possible.
I'm very appreciative, I'm feeling very blessed and I like to live in the moment so any person I meet, I start to leave my mark. As far as my work goes, I just hope that people like it when I do it. I certainly give my best and try to learn as much as I can while I'm working or studying for a role.
I was actually dumbfounded by how some artists talked to each other. For example, it was a normal night at a bar, nothing very momentous, when in walked a painter. The other painters at the bar had a bit of an attitude about it. One said to him, "You know, I'm tired of that feeling of hot air coming out from behind your work." And I thought, "Well, that's interesting." I didn't know you could even think something like that, let alone say it right to someone's face.
I try to think as little as possible, at least while working. I look at some of my early stories and can see the machination behind them, like a gear slowly moving. For example, sticking a dead father into the story to explain a character's sadness and bad decisions, or trying to impress myself with my own cleverness.
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