A Quote by Russell Tovey

In New York, the trains run all night, and the cabs are so cheap. — © Russell Tovey
In New York, the trains run all night, and the cabs are so cheap.
The New York Police Department says Iran has conducted surveillance inside New York City. They say Iranian operatives are using special mobile surveillance units. I believe they're called taxi cabs.
I'd rather be tipping cows in Tulsa, than hailing cabs here in New York.
I moved to New York when I was 10, from Rio de Janeiro. So there was no need for driving: I took the subway, cabs and the bus.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
I felt I had to share Idaho with my friend from New York because he'd shared New York with me, so I was going to share the beauty of nature with a man who went to museums and clubs late at night. But there was nothing to do where I lived at night.
One knew in advance that life in New York would not be easy, but there were cheap rents in cold-water lofts without heat, and the excitement of being here made up for those hardships. I didn't move to New York to make a fortune.
One knew in advance that life in New York would not be easy‚ but there were cheap rents in cold-water lofts without heat‚ and the excitement of being here made up for those hardships. I didn't move to New York to make a fortune.
I dug it, New York City, all-the streets and the snows and the starving and the five-flight walkups and sleeping in rooms with ten people. I dug the trains and the shadows, the way I dug ore mines and coal mines. I just jumped right to the bottom of New York.
The trains were the beating heart of the New York graffiti scene.
I graduated from high school early so I could move to New York to do 'A Little Night Music' out of the New York City Opera.
In New York, we're always confined with spaces. Our restaurants are difficult to navigate as cooks and to operate. We fight against the buildings we run in New York.
I can go anywhere. In fact, for 'Three Billboards,' I was just getting on trains around America. I wrote everywhere from New York to New Mexico. I always write with pencil and paper.
That's the problem with living in New York. You've got no New York to run away to.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
When I came to New York, it was cheap!
I came over here with $100; it was 1983 and I just ended up staying. New York at that time was very inexpensive and it was very easy to get a job. We lived on Staten Island and you could get cheap rent. It was a good time to be in New York.
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