A Quote by Russell Tovey
I think a part of me romantically thinks it would be amazing to learn to dance or ice skate, but in reality, I don't think it would be beneficial to my career.
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When I was first starting out as a kid, I tried to pad my resume with everything I had ever done - ice-skate, carry a tune. I can't dance for my life, but I can learn, so I'll tell people I can dance. I play the piano - I'm a really good pianist, actually.
I think it's a lot harder for the pros to have a long career in ice dance and in pairs. It seems the singles have a little bit of a longer career.
If I were to finish my career without a title, I would certainly be disappointed. But I don't think it would be something that would eat away at me... I think I certainly would be able to live with it.
I have never had a lap dance in Tampa or any other part of Florida. If I ever did have a lap dance, I don't think I would be discussing television ideas with the girl that was giving it to me.
It comforts me to think that if we are created beings, the thing that created us would have to be greater than us, so much greater, in fact, that we would not be able to understand it. It would have to be greater than the facts of our reality, and so it would seem to us, looking out from within our reality that it would contradict reason. But reason itself would suggest it would have to be greater than reality, or it would not be reasonable.
I was very lucky because Tim Burton really gave me a career. I don't think Hollywood would've known what to do with me. If I hadn't done 'Beetlejuice,' I think I would've just gone back to my school.
Would you dance, if I asked you to dance? Would you run, and never look back? Would you cry, if you saw me crying? And would you save my soul tonight?
I know hands down I would lose for sure, but I would love to just dance with Beyoncé. Really, that's what my dream is. She is such a good dancer and I know I would lose, like hands down I know I would lose, but I just want to be in her presence and see her dance up close. She is so good, I am literally obsessed with her and I think she's amazing.
It's a weird partnership. For me and Patrick, if you've met him, we're not very much alike. But we bring such different tools to the table. He doesn't think like me. I don't think like him. He thinks like an editor. He thinks like a director. He thinks completely outside of the box when it comes to writing and so because of that he leads me down roads that I would've never gone down. And he sucks at grammar. So together we're perfect.
I think if I were reading to a grandchild, I might read Tolstoy's War and Peace. They would learn about Russia, they would learn about history, they would learn about human nature. They would learn about, "Can the individual make a difference or is it great forces?" Tolstoy is always battling with those large issues. Mostly, a whole world would come alive for them through that book.
If one admits that the influence of the outside world is essentially beneficial, the lack of such influence during sleep would tend to diminish the value of our dream activity so as to render it inferior to the mental activity that takes place when we are awake, when we are exposed to these beneficial influences of surrounding reality. But how can one say that the influence of reality is exclusively beneficial. Could it not also be damaging, and could its absence not give access to qualities superior to those that we have when awake?
The hardest part was knowing that I would have to talk about the album when I released it. I think the hardest part was waiting to see how long it would take for me to be able to get through the questions people would ask me.
I would like to find, or I would like a part to come to me that is like the part that Dennis Franz was fortunate to be able to play on 'NYPD Blue,' a sort of similar-looking actor to me, a generic, bald white guy who you would often think of as playing the authority figure. But he was the disgruntled middle-man. That would be a fun character.
One of my big, big strengths I think early on in my career was that I could learn very quickly. You wouldn't have to tell me the things 10 times or 50 times until I would understand them. You would only have to tell me two or three times.
I don't think anybody in my graduating class would have figured that I would be doing full-on single-camera comedies or sitcoms, or anything like that, but it certainly has been a part of my career.
I auditioned for 'Mad Men.' I auditioned for 'Top of the Lake.' I obviously auditioned for 'West Wing,' so I still get excited when I get offered stuff. Like, a part of me thinks, 'They think I can do it! That's awesome!' And that's a part of me I have to squash; otherwise, I would do everything just because people gave it to me.
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