A Quote by Russi Taylor

I wanted to do what Mel Blanc did, and that was cartoons. — © Russi Taylor
I wanted to do what Mel Blanc did, and that was cartoons.
When I was a kid, I wanted to emulate Mel Blanc, who is arguably one of the most legendary voiceover recording artists of our time. I used to watch all the cartoons where he would voice Daffy, Elmer Fudd and Porky the Pig. I knew one day I wanted to do that.
I always used to sit next to Mel Blanc when we'd do the shows. When you have Jack Benny on one side and Mel Blanc on the other, you're not going to go far wrong.
I've always said that you can't be the new Mel Blanc by doing Mel Blanc's voice.
As a kid, I just loved cartoons. And as the credits went by, I'd study those names and then try to figure how I could get hired to do what Mel Blanc and Daws Butler did. Create all of these great voices for animated characters.
Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig.
Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig. To me, he's a great actor.
Mel Blanc passed away in '89, and they held auditions, and I did my first job [as Porky Pig] in 1990.
I worked with some of the best actors I've ever worked with: Mel Blanc and Don Messick. They could play a scene against themselves. Think of the characters that Mel created, and they're as good or better than any performance anyone has ever given. I mean: Daffy Duck! Think of the specific voice Mel gave Daffy Duck or Bugs Bunny or Porky Pig... It's just astonishing.
Oh, here comes Mel Blanc, the voice of Bugs Bunny and Jimmy Smits!
There's only five real people in Hollywood. Everyone else is Mel Blanc.
Mel Blanc has been gone for 30 years, even though he's still around.
When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.
Obviously as a kid, for probably anybody who chose animation voiceover as a career in their adult life, Mel Blanc was the touchstone for everybody. He kind of invented the job and was the first voice actor to get onscreen credit.
You set us up!” “No! I swear—” Her face fell. “Mel. Mel must’ve told him.” “Right,” I grumbled. “Blame Mel.
I remember as a kid watching TV and seeing Mel Blanc doing his voices and Paul Winchell doing his ventriloquism and thinking, 'Those guys are having a good time. I want to do that.'
I watched a ton of cartoons growing up, but I don't remember specifically what networks they were on, I'll be honest. But I did like cartoons as a kid.
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