A Quote by Rutger Hauer
I was convinced that acting was for fools. I was on the stage when I was eight with my father, he was playing one of those Greek blind guys that sees things and warns people, whilst I was in a blue skirt. I think there were 5,000 people in the theatre, it was ridiculous.
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You look back at the '95 season, and a lot of those guys were getting mega minutes. Michael Jordan was out playing baseball. We were still winning, won 55 games I think, so those guys were all very content and happy with the way that things were going that year.
There were 14,000 people at the rally for the president in Ohio. There were another 8,000 people in Virginia. If all 22,000 of those people opened their wallets and gave $1,000 each, that would be less than one donation from a billionaire to the super PACs. And that's why he's in for the fight of his life.
Though I acted in hundreds of productions, appeared at the Guthrie Theatre and on Broadway in Amadeus, I discovered in my thirties that I didn't really like stage acting. The presence of the audience, the eight shows a week and the possibility of a long run were all unnatural to me.
Let's be realistic, how many people are buying a $2,000 skirt? I love to design things that people can actually buy. I'm staggered by what a boot costs today.
I went from playing small gigs for 80 people to like 2,000 or 3,000 people, and they were arriving with all this expectation and excitement.
I knew some people at my school who were squatters, and my younger brother was a squatter. I knew those guys: those were the people who said the Russians were the good guys and the Americans were bad. But I was the guy who went to the disco.
I meant that people will take anything that gives them a lift, whether it's alcohol or cocaine or the consciousness-expanding drugs or opiates. In Iran, until recently, they sold opium in shops legally, and they had 3,000,000 addicts in a population of 15,000,000. I don't believe that all those people were escaping from "complexes" or anything of the sort. They were simply exposed to it.
These people also tended to pretend to care deeply about the blind and otherwise disabled. I am sympathetic to the needs of those users, but I can't help but think that those who claimed to speak for the blind were being more than a little disingenuous, just like those Hemp people who present their arguments in terms of their deep and abiding care for the textile industry, when their real motives are ... something else entirely.
My father was a man of the theater. I grew up in a theater family. As a young man, as a boy, I gypsied around with my siblings and my parents to, like, eight different towns, went to eight different schools. All those things were extremely formative, and I think that's what happens.
What we were trying to do was take the notion of Greek tragedy, of fated and doomed people, and instead of these Olympian gods, indifferent, venal, selfish, hurling lightning bolts and hitting people in the ass for no reason — instead of those guys whipping it on Oedipus or Achilles, it’s the postmodern institutions . . . those are the indifferent gods.
Because I'm a big guy, I was always playing the bad guy or whatever, but after I did 'The Blind Side,' where I played a father who's a really loving, likeable sort of person, a lot of those barriers were broken down. People saw me as something softer, not so much as a heavy anymore.
People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually.
I am convinced that the public, large majority of the Greek people, realize that policies pursued in the past and the market practices have to be changed, in order to improve the prospects of the Greek economy. So there is, I think, strong public support despite the increases in social tensions.
We always think, 'Well, for a person who's blind, it must be an amazing, joyful miracle if by some chance their sight is restored to them.' Now, this may be true for blind people who lost their vision at a later age. It's rarely true for people who were born blind or who go blind at a very young age.
Theatre within theatre, when characters sees themselves on stage, always raises philosophical questions of choice and free will.
I'm quite convinced in my own mind that those who were arguing that [the need to intervene in Iraq] was a more immediate one than some believed - were I'm sure convinced that they were right on fact, I don't think they were making it up. So as to lying, I don't think it has been established that any lies were told.
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