A Quote by Ruth B
I just really post what I'm feeling, especially when it comes to Vine and music. For a long time, I just kind of posted six-second original thoughts, and people really gravitated towards that.
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My first Vine I really just posted out of spontaneity.
My mom has kind of been more of the emotional support system. One time I was really feeling all out of it, just dealing with a lot of cooks in the kitchen and adjusting to what it means to be in the music industry, and I called her. One of the first things she said to me was 'You have to be thankful that these people even like you, no one liked me, at all, I was not really accepted for a very long time.'
I've been making Vine videos for a couple of months. They're just six-second little videos, but I really have fun doing them. It's just fun to feel like you created something.
I talk openly about my past and what I've gone through - abuse being something that was very real in my household, and a lot of chaos growing up as a child. I think that I naturally just gravitated towards music that I could really feel on a deep level - and that meant sadness. I was able to connect with that at a really young age.
People thought I was a really raw rapper that hated everything - a really sour person - but really I'm just a good, all-around music-making kid and I'm really happy. That really, I feel, painted my image to a lot of people. My music now, some people get sour over it because it's really happy, it's poppy, but I'm just telling them that that image from way back then was me feeling uncomfortable and now I'm comfortable.
I never use someone just because they are great musicians. I work with people who have the same kind of feeling towards the music that I do, and the subject that I'm speaking of at that time.
Vine is great because none of us have time to really see all the talent that's out there. If you can make someone laugh in six seconds, you can see there's more to this person. Vine lends itself to that. It allows you to be exposed to new people and you get it right away.
When I started, I was 18 and really into punk rock and just wanted the action. Over the years, I've gravitated towards the travel and experience around surfing and trying to relay that feeling. Going forward, I'm interested in story-driven and personality-driven themes.
Also because few people were watching - aside from a healthy amount of incarcerated people, because M2 was offered in a lot of prisons - I was able to ask really long, kind of muso questions, that they loved. We could really geek out and talk about music for long periods of time, and that tape would just keep rolling and rolling.
When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.
Before 'Lost Boy,' I was singing, doing six-second covers on Vine, working part-time and in school, but music was always my true love.
I just read the scripts that come to me, and I see the ones which I really kind of understand and connect with, whether that's a science fiction or a period piece. It doesn't really matter as long as they're original and I have something to do with the character.
Forbes did a story on , when I seen it in Forbes I was just like, "This looks good!" and it felt good so I just went ahead and posted it. As soon as I posted it, people started calling and congratulating me and then it really started sinking in that it was a real accomplishment.
I like New York. I like Philly. I like San Fran. I like when people are stoked. But Chicago's a real music town, and they're really good to us there. There's just something in the air there; people are just really stoked about music. Every time I go there, I have a great time, and the fandom is really heartwarming.
I just felt drawn towards the kind of music that really needed a strong female presence female writers, female producers, female figures and that just kind of unfolded on its own.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
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