A Quote by Ruth B

At first it was kind of hard, because I had become used to just my phone screen in front of me. But sharing your songs with an audience is incredible. — © Ruth B
At first it was kind of hard, because I had become used to just my phone screen in front of me. But sharing your songs with an audience is incredible.
It's hard to say conversation has become a minimal thing, because look at the rise of mobile communications in the last 10 years. It used to be only the president had a mobile phone. Now everyone on earth, even if they have nothing else, they have a cell phone.
It's one of those once in a lifetime opportunities for me to be sharing the screen with a star of the stature of Pawan Kalyan, and I jumped at it. The intensity that he brings to the screen is incredible, he's a phenomenal performer.
What I view as worship now is certainly a little different than how I used to view worship. I don't see it as a verse in a chorus, on a big screen with words, like I used to. It's just trying to be as real as possible in front of an audience.
Imagination helps me to become part of that journey that I'm going through in font of the camera, or in front of an audience. I used to think you had to disappear within a character, but I find that puts a mask on what I do.
It's hard to say conversation has become a minimal thing, because look at the rise of mobile communications in the last 10 years. It used to be only the President had a mobile phone. Now everyone on earth, even if they have nothing else, they have a cell phone. It's a larger anthropological shift in my mind than even the tattoo age in the United States.
I used to record songs, like, play the beat from one phone and have another phone recording me and just rap. Moving from that to a studio was like, 'Damn, I never knew I could sound like this.' It was just magic.
When I decided that I will become a music director, the first thing I wanted to do was to make songs for Vishesh Films as I used to love their musicals. I had eight to ten songs which I had made only for them and fortunately 'Sun Raha Hai' from that list was liked by them and it actually opened doors for me.
My first songs were energetic because I liked their energy. When I used to battle people every day, I had to go hard. If someone went harder than me, they left with the win. I haven't lost since I was 12 years old.
Sometimes you don't know what you've got until you put it in front of an audience - and the enthusiasm for the show from the audience has been just incredible.
I definitely prefer the single camera better. For me it's the simple fact that I enjoy working in front of an audience, but when you're trying to create a suspension of disbelief it's much harder to do in front of audience because they become a partner. Moreso than that, they become in charge of the timing. From the simple, mechanical fact that you have to hold for their laughter. The actual timing of the scene is in the hands of the audience. As a control freak, I don't enjoy that as much as the ability to be able to control it in an edit room.
Even writing verses from my first album, there were songs that I didn't use because I just felt that they weren't really for me. But I think that happens naturally when you write songs. You're in a different mood in every session. There's so many songs out there that could potentially be used by other artists.
I love nothing more than to perform my songs in front of a live audience. And whatever I'm doing is driven toward finding or writing songs and putting out hit songs that drive people coming to see me live. Because, at the end of the day, that's what I enjoy the most.
The connect that I have with the audience comes from my hard work and sincerity towards my craft and also because of the opportunities that I have had. I have been able to engage with my audiences. They observe my performances minutely. They think I will do some magic on screen. They like me because I don't do over-the-top acting.
The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.
Beyond just the respect that you want to have, people just miss out on being in the moment when they have a screen in front of their face. I just don't know to tell people. I feel it's like, you know, 'Turn off your phone and go to the theater.'
I think people are getting into these 'Empire' songs because of the emotional investment they have in the characters. You kind of feel like you know the songs already because you just watched them play out in front of you with these characters.
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