A Quote by Ruth Bader Ginsburg

Our goal in the '70s was to end the closed door era. There were so many things that were off limits to women: policing, firefighting, mining, piloting planes. — © Ruth Bader Ginsburg
Our goal in the '70s was to end the closed door era. There were so many things that were off limits to women: policing, firefighting, mining, piloting planes.
Our goal in the '70s was to end the closed door era. There were so many things that were off limits to women, policing, firefighting, mining, piloting planes. And the stereotypical view of people of a world divided between home and child caring women and men as breadwinners, men representing the family outside the home.
I was a young feminist in the '70s. Feminism saved my life. It gave me a life. But I saw how so much of what people were saying was not matching up with what they were doing. For example, we were talking about sister solidarity, and women were putting each other down. We were talking about standing up for our rights, and women weren't leaving abusive relationships with men. There were just so many disconnects.
That’s how Ptolemy imagined the disposition of his memories, his thoughts: they were still his, still in the range of his thinking, but they were, many and most of them, locked on the other side a closed door that he’s lost the key for. So his memory became like secrets held away from his own mind. But these secrets were noisy things; they babbled and muttered behind the door, and so if he listened closely he might catch a snatch of something he once knew well.
It was darn nigh impossible for women in rock in the '70s. There wasn't a mold if you were a woman and you were in the entertainment in the '70s. You were probably a disco diva or a folk singer, or simply ornamental. Radio would play only one woman per hour.
It was darn nigh impossible for women in rock in the 70s. There wasn't a mold if you were a woman and you were in the entertainment in the 70s. You were probably a disco diva or a folk singer, or simply ornamental. Radio would play only one woman per hour.
I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent.
There were others, women with stories that were told in a quieter voice: women who hid Jewish children in their homes, putting themselves directly in harm's way to save others. Too many of them paid a terrible, unimaginable price for their heroism. And like so many women in wartime, they were largely forgotten after the war's end.There were no parades for them, very few medals, and almost no mention in the history books.
When comics came along in the 1930s there was a talent pool waiting. And one reason is so many areas were closed to Jews. Colleges, advertising agencies, many of the corporations - the doors that were closed led to the one that was open.
When I grew up, it was a time when women were just supposed to be cute and not have many opinions. My mother and her friends were quite different. They were all the most beautiful women you've ever seen ... and they were very strong women.
Looking back to when I joined, some areas of policing were barred for women. So you couldn't do full public order training, you couldn't carry a firearm as a woman in the Met until 1988, there were no women dog handlers, and there was probably one woman in CID.
I worry more about the marketing that's taken hold since the 70s. The Jazz era, the Swing era, those were huge. Entire decades were named for music. In the 1940s - after World War II - changes in taxation, ballrooms closing, people moving to the suburbs, and the onset of target marketing and the confusion of commerce with art caused some things to happen as a result that have taken us away from jazz and what jazz offers us.
'Psych' was so many different things, and they evolved in so many different ways over the years, and towards the end there, we were barely solving mysteries anymore. We were just paying homage to our favorite movies, television shows, and bringing through as many '80s icons as we possibly could.
When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.
Oh, there were all sorts of things to wonder about, but the truth was simple: here stood this door alone on an endless stretch of beach, and it was for only one of two things: opening or leaving closed.
In the 70s, GEORGE CLINTON and PARLIAMENT FUNKADELIC and EARTH WIND & FIRE, we were very serious about our music and who we were trying to touch. I think that's why the music of the 70s has not died - because it has a rejuvenating quality to it.
We have made many glass vessels... with tubes two cubits long. These were filled with mercury, the open end was closed with the finger, and the tubes were then inverted in a vessel where there was mercury.
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