A Quote by Ruth Bader Ginsburg

I think Mozart's operas 'The Marriage of Figaro' and 'Don Giovanni' are the two most perfect ever written. The music is magical. — © Ruth Bader Ginsburg
I think Mozart's operas 'The Marriage of Figaro' and 'Don Giovanni' are the two most perfect ever written. The music is magical.
My Mozart career began as a teenager in Los Angeles, singing arias from 'Le Nozze di Figaro' and 'Don Giovanni.'
As many times as I have done 'Marriage of Figaro,' I have never been able to ask Mozart what he intended in this piece.
My first singing role was as Susanna in a school production in a shortened form of Mozart's The Marriage of Figaro. I loved to sing and I was given lots of encouragement by a wonderful music teacher Mrs Ann Hill and by my parents who suggested I go to drama school.
I don't care who likes it or buys it. Because if you use that criterion, Mozart would never have written Don Giovanni, Charlie Parker would have never played anything but swing music.
I don't care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
As any opera fan knows, lawyers and judges do not fare well in most operas. Just consider the productions of 'Andrea Chenier,' 'Aida, Norma,' 'Billy Budd,' 'Peter Grimes,' 'The Crucible,' 'Lost in the Stars,' 'The Marriage of Figaro,' 'The Makropulos Case' and Wagner's 'Ring' cycle. Around 1810, the theme of justice emerged in opera.
My music wasn't written by Mozart, Beethoven, Bach or Schubert. It's written by God and me. They go "a one and a two and up." We start on the downbeat. Bam! And that's where we got them.
The most perfect melodic shapes are found in Mozart; he has the lightness of touch which is the true objective ... Listen to the remarkable expansion of a Mozart melody, to Cherubino's 'Voi che sapete', for instance. You think it is coming to an end, but it goes farther, even farther.
'Pelleas et Melisande' is one of the saddest and most upsetting operas ever written. If you love the opera as I do, then you love it to pieces, obsessively.
How did Haydn and Mozart produce such vast quantities of formally perfect art? They worked from a perfect formula. In music, Beethoven was the Great Emancipator.
Ruth and I don't have a perfect marriage, but we have a great one. How can I say two things that seem so contradictory? In a perfect marriage, everything is always the finest and best imaginable; like a Greek statue, the proportions are exact and the finish is unblemished. Who knows any human being lke that? For a marriage couple to expect perfection in each other is unrealistic.
My parents did not have a perfect marriage. It was pretty good, but it was not perfect. My marriage is not perfect. My wife is, but I happen to be imperfect. However, that does not discount the fact that the definition of marriage must be defended and protected.
'The Great Gatsby,' by F. Scott Fitzgerald, remains the most perfect novel that has ever come out of the United States. Everything in the book moves as it should, in the manner of a piece by Bach or Mozart.
When I hear music I want to engage in it. Even if I engage in it very quickly and turn it off in my mind. If I'm in an elevator, clearly I don't want to be dealing with that, even if it's Mozart. In fact, especially if it's Mozart. I don't think Mozart belongs in an elevator.
Mozart never composed anything, ever! He copied what was written on his soul.
Marriage is two imperfect people committing themselves to a perfect institution, by making perfect vows from imperfect lips before a perfect God.
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