A Quote by Ruth Bernhard

Everything I do is a metaphor of the universal order. — © Ruth Bernhard
Everything I do is a metaphor of the universal order.
Fitzcarraldo is a mad dreamer. He's willing to sacrifice everything in order to make his vision of an opera house. That metaphor of pulling the boat over the mountain is so integral to anyone making any creative effort. It's that universal Sisyphean struggle.
Seeing sound, the high order stuff that's not audible still affects how everything else behaves. There might be a visual metaphor for that somewhere.
How would you know? Everything’s like sex. It’s the universal metaphor. To pick a lock, let me guess, you have to go slow at first, but then you have to pull off some fancy moves, and you have to stay concentrated, and you have to stick something in something, right?
Physicists use 'God' as a metaphor more often than other scientists-- especially in popular writing, but in the technical literature as well. Of course, this is just a metaphor for order at the heart of confusion. A rational or aesthetic pattern underlying reality is far from a theistic God.
The universal order and the personal order are nothing but different expressions and manifestations of a common underlying principle.
Here is the biggest truth about the Universal Order: There is no order!
But to say that the race is the metaphor for the life is to miss the point. The race is everything. It obliterates whatever isn't racing. Life is the metaphor for the race.
Universal violence compels the language to be mute . . . . Silence is not only a metaphor of Hemingway's work; it is also the source of its formal excellence, its integrity.
In 'Gravity,' nearly everything is a metaphor for the main character. The way I tend to approach a film is that character and background are equally important; one informs the other. Here, Sandra Bullock is caught between Earth and the void of the universe, just floating there in between. We use the debris as a metaphor for adversity.
My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook.
There's an essential order you have to follow in everything. It's a way of showing respect, following everything in the correct order.
'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.
Comic strips introduced me to metaphors. They are pure metaphor, so you learn how to tell a story with symbols, which is a very valuable thing to learn. And I learned that from motion pictures, too, and from poetry. Poetry is mainly metaphor. If it doesn't have a metaphor, it doesn't work.
Human science fragments everything in order to understand it, kills everything in order to examine it.
Your positions on EVERYTHING are based on the story you tell yourself and not some universal fact from the universal fact database.
A Truth is the subjective development of that which is at once both new and universal. New: that which is unforeseen by the order of creation. Universal: that which can interest, rightly, every human individual, according to his pure humanity.
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