A Quote by Ruth Bradley

I think when you work with older actors, who are so good, it's rare that they are egotistical. — © Ruth Bradley
I think when you work with older actors, who are so good, it's rare that they are egotistical.
If it's well written and well directed and you've got good actors to work with, acting is easy. But making sure all the ducks are in a row is the hard part. It's very rare.
If it's well written and well directed and you've got good actors to work with, acting is easy. But making sure all the ducks are in a row is the hard part. It's very rare
I turn 30 next month, and in my 20s, I've been in this limbo of being too old to play the young lead, and too young to play the 30, 35 - year - old. I've always had an older head on my shoulders because I've hung out with older people. I was in television shows with older actors, and when I was 15, 16, 17, I sat up in hotel lobby bars with older actors until the early hours of the morning hearing them tell stories. I've always been drawn to older characters and I've always struggled to get into the younger roles. It feels good to be finally getting to an age where I'm playing my age.
It's rare that I come across actors who are willing to work as hard on the material as I am.
It's rare that I come across actors who are willing to work as hard on the material as I am
I love horses, and I love all of it. The sights and sounds and smells, the whole genre of Westerns - I love them. And I know they're rare for actors to get to do, and they're even more rare for women to get to do, so I really think I was drinking in the experience on so many levels.
Working with [Kyle Chandler] in the scene was like playing tennis. You work with really talented actors, I think they make other actors look really, really good.
I understand that actors lose their looks, they change over time, but people don't lose their talent. I think that, as people get older and the people who make the decisions get older, they don't like hiring people much older than them because it reminds them of their fathers, and they don't like telling people older than them what to do. It makes them uncomfortable. I think that happens a lot.
I love rare books. Not that I own a lot of them, mind you. You couldn't quite call me a rare-book collector. But I did once work in a rare-books library, and I wrote a novel about a rare book.
I'm inspired to work with good actors, period. I want to work with the best anytime because I think they'll make me better.
It is rare, with people who are on television or celebrities or actors - it's rare to go to their house for a party and find they cooked. That's rare. Usually people don't cook for their own parties, and they don't buy their own gifts. There are people that do that, and that is a special thing. Those kind of little human touches are nice.
It's very rare that Black actors get an opportunity to do period pieces and to have a breadth of characters to choose from in their work.
I'm still in the middle of the transition. I'm still in man-boy mode. And that won't go away for a while. But it's a fun time to be in, because it's very rare that people get to work through this time. It's rare to see a John Cusack in Say Anything. It's rare that you'd find an actor right in the cusp of the child-to adult transition, just got through puberty, just getting into a different way of life. There's few movies like that, and few roles like that, so it's going to be tough to pick and choose. I guess the goal is good people, work with good people.
It's very rare that you get a part that you actually like. People have a misconception, whether it be because actors lie or because you're reading interviews from giantly, massively famous actors, but you don't just get offered parts, all the time. You actually have to work to get them.
Egotistical people are not pretty. We all know that, I'm sure everybody knows an egotistical person someplace.
I think that some of the writing, directing, and the content is better than a lot of movies sometimes. Actors, well artists in general - actors, writers, directors - what we all care about the most is good work and being able to create something that is really resonant and meaningful.
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