A Quote by Ruth E. Carter
You collaborate with actors who are also talented and visionary and come together on a artistic direction within the confines of humanity and realism. The collaboration that you have had with all of these people plays an integral role in its final stage where editing and music are combine to enhance your work. This whole process is very rewarding and I wouldn't trade it for anything.
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Europe and Africa share proximity and history, ideas and ideals, trade and technology. You are tied together by the ebb and flow of people. Migration presents policy challenges - but also represents an opportunity to enhance human development, promote decent work, and strengthen collaboration.
Collaboration has become really integral to my process. I play music so that I can spend time with my friends and communicate in that way. I experience so much joy in that process, because, you know, it's those times of getting together and playing music and all that comes with it that are the best for me.
Sculpture, for me, provides that environmental discipline where you actually move in and around it. And if you have a good collaboration with an architect, to combine those aspects of color - I'm talking about color becoming a form within the building - that is a very different approach. I love contemporary architecture, which makes collaboration more interesting-and you have to be able to collaborate. It's like making a film, in a way: Everyone is a part of the team.
When I find those actors who are going to work that hard and collaborate that deeply, my role is to make sure there's a whole lot there for them to work with.
My job on a film is to be responsible for all the sounds in the movie besides the music. Together with my team, we work on the dialogue, foley, sound effects, and sound design. We work closely with the director and picture editor in the prep period, and then together with them, the sound mixers, and music crew, we collaborate on the final mix of the film.
I view the whole thing as a collaboration. As an actor, I always found that to be the most freeing thing, when the director would collaborate with you, so that together you'd come up with something exponentially better.
There's a certain fast-food approach to the whole music thing that's changed the role it plays for us all. You are doing it while you are doing other things. Not that that is new - people have had music on in the background as long as there has been music.
The role of a coach is varied. We have many tasks. To be a visionary that always looks a little bit towards the future: How should the team develop? How should it play at a tournament? Of course you also have to be the contact person for the players, where social competence also plays a role.
I enjoy being a singles guy. I enjoy commanding the stage with myself and an opponent. It's a different process when you're teammates. Especially with the way we work. We're very unselfish with how we work together in so many different regards. Not just what you see as the final product of the match. Just strategizing, psychology, teamwork.
I never really understood that massive collaboration involving hundreds of people is what makes movies possible, and it's also why I would agree that curiosity is not the most important human trait; the urge to collaborate is. Heck . . . only we have the ability to cooperate to make like online communities and space telescopes and imaginariums and movies. So the great thrill of this whole experience [my novel being made into a movie] for me was . .. .seeing humanity do what it's best at, which ultimately is not competing but cooperating.
I think being raised within a Mexican Catholic family made magical realism a very natural part of who I am as a person and as a writer. My parents always told us great stories that often had magical elements and roots within Mexican folklore. Also, I remember my father reading a book to me, when I was very young, about the lives of saints. Those were crazy scary stories! Maybe he was trying to scare me into being a good person. In the end, magical realism offers me untethered freedom to explore human frailty and the way we clumsily cobble together our lives on this strange planet.
Kanye West is a brilliant poet and artist. He and I work in a very similar way. We feel the vibration, the power of something, and it inspires us to create, whether it is music or design. It is the same process. Working with Kanye is a joy and great privilege. In 2012, we did collaboration together.
Creativity is not a solitary process. It happens within networks... when talented people get together, when idea systems and mentalities merge.
I like to collaborate on my music. The creative process is fun, and you get a lot of ideas from having discussions about it. Ultimately, the final decision is mine.
I've been in movies where the movie doesn't come together but the role comes together, or the movie comes together but the role doesn't come together or something like that. Something misses. It's very difficult to make it hit on all cylinders - it's just very rare.
At the end of the day, all you really have is your own sense of your artistic ability and I've always stuck with that my whole life. I guess there is always a bit of relief that I have and real joy of being able to engage other people who are talented, equally or better than you, and you can work with them.
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