A Quote by Ruth Glick
Is it better to go indie and make bigger profits on each book, or stick with a print publisher's 6%-10% royalties? Since I never could figure out what I wanted to do when I grew up, I'm hedging my bets and working both sides of the street.
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I was born in Owerri and grew up in the east of Nigeria, in Imo state. You could say I was a 'street boy': we grew up on the street, played on the street, did everything out on the street. It was a difficult life altogether, but that's how we grew up.
Well, it wasn't really a decision on my part although you always hope as an author that a book that goes out of print somehow winds up back in print. These days publishers like to put out-of-print books into e-book form, but I really wanted to do an update.
I was hedging my bets with university. I always wanted to do music, it was just about waiting for the point when I could confidently say 'okay, I reckon there's enough momentum behind this thing to sustain myself.'
In the war time many of the publishing houses were privately owned, a single publisher or a publisher and a few associates who were responsible for everything. They could take whatever risks they wanted, could essentially publish what they liked according to their taste. Publishers today are working for big corporations. They have different pressures. I don't think they can make decisions quite as independently as they used to be able to. They have more corporate and financial responsibilities weighing on them. They're not free to go broke or go to jail.
I don't think anyone went the polls and said, 'I am casting my vote to make sure that Wall Street has better chances to make bigger profits off the backs of the American people.'
An avid reader, I never missed a book by Judy Blume or Agatha Christie. They both remain two of my favorite authors. If I could have combined these ladies into one person, that's who I would have wanted to be when I grew up.
I'm not interested in the being the next indie hipster scene or in how skinny my jeans can be. That's not my thing. I'm interested in arenas. That was the magic of the music I grew up listening to. Being a rocknroll front man is all I've ever wanted since I was 10 years old. I give it everything I have.
The Israel Palestine thing, there are infinite sides to each side, but if we stick to the main sides, everybody's in the same boat and it's maddening to me for people not to understand what's in both their best interest.
When you're working with film, you can only shoot one angle at a time, and then everything has to stop, and you re-light it and shoot everything else from the opposite side, so it's really important that you stick exactly to what's written. But with the multi-camera digital setup, you're getting both sides of the scene at the same time, so it gives you that freedom to go off-book.
I go out every day. When I get depressed at the office, I go out, and as soon as I'm on the street and see people, I feel better. But I never go out with a preconceived idea. I let the street speak to me.
On both sides of my family, my grandparents grew up in total poverty and came to California during the Great Depression. The only way they were able to work their way out of that was by joining the military, which is how they both went on to be able to go to college.
Since I was a kid, I always wanted to figure out how to make a bass line that was a pendulum - like, gravity would control it, and then you could make it play different notes.
I know things are going to get better in spite of both sides. Then when things do get better, then you'll hear the yell that will go up. The Democrats will swear that recovery was due to them. Now the Republicans, they'll say it was due to them. Nobody wanted to claim the credit for the country blowing up, but wait until it starts picking up and they'll both be on it then. See?
When you're making a print book in 2012, I actually think the onus is on you - and on your publisher - to make something that's worth buying in its physical edition.
I could take my time, and nobody was pressuring me to be a headliner. I could go up there, find my voice, and figure out what I wanted to do.
I wrote "Win" for people on both sides, legitimately on both sides. If you're a Democrat listening to this right now, you - the whole playbook is in this book. If you're a Republican, and you're frustrated because Barack Obama is a great communicator, the playbook is in this book. And if you're a corporation who wants to satisfy his - their employees, how to do it is in this book. And finally, if you're an employee and you want to get a raise, whether at NPR or anyplace else, it's in this book.
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